Contemporary Art and Capitalist Modernization: A Transregional Perspective

Author:   Octavian Esanu (American University of Beirut)
Publisher:   Taylor & Francis Ltd
ISBN:  

9780367490737


Pages:   288
Publication Date:   09 October 2020
Format:   Hardback
Availability:   In Print   Availability explained
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Contemporary Art and Capitalist Modernization: A Transregional Perspective


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Author:   Octavian Esanu (American University of Beirut)
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.857kg
ISBN:  

9780367490737


ISBN 10:   0367490730
Pages:   288
Publication Date:   09 October 2020
Audience:   College/higher education ,  Tertiary & Higher Education ,  Undergraduate
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Introduction (Octavian Esanu); Part I; 1. Towards a Historical Understanding of Post-Soviet Presentism (Angela Harutyunyan); 2. The Long-Lasting Present: Art, Duration, and Contemporaneity (Pedro Erber); 3. Periodizing Latin American Art Since the 1960s (Karen Benezra); 4. Neue Östeuropäische Kunst: The Global Contemporary and the Eastern European Retrocontemporary (Ivana Bago); 5. Art Form and Nation Form: Contemporary Art and the Postnational Condition (Octavian Esanu); 6. Three Questions for Terry Smith: Peripherality, Postmodernity, Multiplicity – Reconceiving the Origins of Contemporary Art (Interview with Terry Smith, with Octavian Esanu); Part II; Case Study 1: Nove Tendencije 2 [New Tendencies 2], Gallery of Contemporary Art Zagreb, 1963 (Ivana Bago); Case Study 2: Rabinec Studio: The Commodification of Art in Late Socialist Hungary, 1982–83 (Kristóf Nagy); Case Study 3: The 3rd Floor Cultural Movement, Yerevan 1987–1994 (Angela Haratyunyan); Case Study 4: The First Sanayeh Plastic Arts Meeting, Ashkal Alwan Beirut 1995 (Natasha Gasparian); Case Study 5: CarbonART 96 and The 6th Kilometer, SCCA Chișinău 1996 (Octavian Esanu); Case Study 6: Meeting Point, SCCA Sarajevo 1997 (Amila Puzicì); Case Study 7: Khoj International Artists’ Workshop, Khoj International Artists’ Association, Modinagar 1997 (Sabih Ahmed and Nida Ghouse); Case Study 8: Janja Žvegelj: Squash, Škuc Gallery Ljubljana 1998 (Tevž Logar and Vladimir Vidmar); Case Study 9: Al-Nitaq Festival of Art, Cairo 2000 and 2001 (Dina A. Mohamed)

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Author Information

Octavian Esanu is an assistant professor of Art History at the American University of Beirut (AUB) and Curator of AUB Art Galleries.

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