Consuming Dance: Choreography and Advertising

Awards:   Winner of Winner of the 2019 Oscar G. Brockett Book Prize for Dance Research.
Author:   Colleen T. Dunagen (Professor of Dance, Professor of Dance, California State University, Long Beach)
Publisher:   Oxford University Press Inc
ISBN:  

9780190491376


Pages:   264
Publication Date:   26 July 2018
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
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Consuming Dance: Choreography and Advertising


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Awards

  • Winner of Winner of the 2019 Oscar G. Brockett Book Prize for Dance Research.

Overview

Full Product Details

Author:   Colleen T. Dunagen (Professor of Dance, Professor of Dance, California State University, Long Beach)
Publisher:   Oxford University Press Inc
Imprint:   Oxford University Press Inc
Dimensions:   Width: 15.50cm , Height: 2.30cm , Length: 23.40cm
Weight:   0.376kg
ISBN:  

9780190491376


ISBN 10:   019049137
Pages:   264
Publication Date:   26 July 2018
Audience:   Professional and scholarly ,  General/trade ,  Professional & Vocational ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Acknowledgements About the Companion Web Site Introduction: Dance and Advertising Chapter 1. Dance-in-Advertising, Affect, and Contagious Movement Chapter 2. Commercials as Discursive Assemblages Chapter 3. Correspondence and Difference: Creating Rapport through Intertextuality Chapter 4. Consumer Culture and Appropriation: Advertising, Dance, and Social Identity Chapter 5. Subjectivity and Performative Consumption Conclusion: Material Bodies and Advertising Bibliography Index

Reviews

Dunagan (California State Univ., Long Beach) offers smart, engaging analyses of deployments of dance in television advertising. She demonstrates how dance matters in contexts of commodities, marketplace, and the social lives of American consumption across three generations. Working with several theoretical models, Dunagan argues effectively that dance in advertising arrives as a part of American popular culture and as an active participant in disciplinary discourses....Summing up: Highly recommended. -- CHOICE Dunagan has crafted a smart, engaging analysis of the deployments of dance in television advertising. Written with playful enthusiasm, this book demonstrates how dance matters in contexts of commodities, marketplace, and the social lives of American consumption across three generations. Through original findings, based on years of careful research, Dunagan proves that dance in advertising reflects the changing standards of expressive labors of the body. - -Thomas F. DeFrantz, Author of Dancing Revelations: Alvin Ailey's Embodiment of African American Culture Dunagan's terrific book makes vital archival, historical, and theoretical interventions at the under-examined intersection of dance, advertising, and popular culture. Her compelling close readings of over sixty years of advertisements featuring spectacular dancing bodies helps us understand the work of dance-in-advertising in promoting consumption as a performance of identity. In the process, Consuming Dance greatly expands our understanding of how social and cultural meaning is made and remade in American popular culture. -- Brett Mizelle, Professor and Director of the American Studies Program at Long Beach State Consuming Dance shows how and why advertising agencies have leapt upon the spectacular art of dance to sell products. Through her meticulous readings of popular television commercials, Dunagan exposes the aesthetic, ideological, and affective work of dance in advertising. Much like the ads she explores, this book offers a compelling read for anyone interested in dance or media studies. -- Sherril Dodds, Professor of Dance, Temple University


Dunagan has crafted a smart, engaging analysis of the deployments of dance in television advertising. Written with playful enthusiasm, this book demonstrates how dance matters in contexts of commodities, marketplace, and the social lives of American consumption across three generations. Through original findings, based on years of careful research, Dunagan proves that dance in advertising reflects the changing standards of expressive labors of the body. - -Thomas F. DeFrantz, Author of Dancing Revelations: Alvin Ailey's Embodiment of African American Culture Dunagan's terrific book makes vital archival, historical, and theoretical interventions at the under-examined intersection of dance, advertising, and popular culture. Her compelling close readings of over sixty years of advertisements featuring spectacular dancing bodies helps us understand the work of dance-in-advertising in promoting consumption as a performance of identity. In the process, Consuming Dance greatly expands our understanding of how social and cultural meaning is made and remade in American popular culture. -- Brett Mizelle, Professor and Director of the American Studies Program at Long Beach State Consuming Dance shows how and why advertising agencies have leapt upon the spectacular art of dance to sell products. Through her meticulous readings of popular television commercials, Dunagan exposes the aesthetic, ideological, and affective work of dance in advertising. Much like the ads she explores, this book offers a compelling read for anyone interested in dance or media studies. -- Sherril Dodds, Professor of Dance, Temple University


Author Information

Colleen T. Dunagan is Professor of Dance at California State University, Long Beach.

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