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Author:   Marsha Morton (Pratt Institute, USA) ,  Barbara Larson (University of West Florida, USA)
Publisher:   Bloomsbury Publishing PLC
Imprint:   Bloomsbury Visual Arts
Dimensions:   Width: 16.00cm , Height: 2.40cm , Length: 23.60cm
Weight:   0.780kg
ISBN:  

9781350182325

ISBN 10:   135018232
Pages:   288
Publication Date:   06 May 2021
Audience:   College/higher education ,  Tertiary & Higher Education
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand  
We will order this item for you from a manufactured on demand supplier.

Table of Contents

List of Plates List of Figures List of Contributors Introduction, Marsha Morton (Pratt Institute, USA) 1. From Folk to a Folk Race: Carl Arbo and National Romantic Anthropology in Norway, Patricia G. Berman (Wellesley College, USA) 2. From “Northern Dweller” to “Distinguished Among His Race”: The Transformation of the Nordic Colonial Subject, 1900-1935, Bart Pushaw (University of Maryland, USA) 3. Decolonizing the Archive: Pia Arke and Stories from Scoresbysund, Alison Chang (Independent Curator, USA) 4. Brigands and Virtuous Musicians: Representations of Roma (“Gypsies”) as Oriental Other in the Eastern Part of the Habsburg Monarchy during the Eighteenth and Nineteenth Centuries, Robert Born (University of Leipzig, Germany) and Dirk Suckow (University of Leipzig, Germany) 5. Leopold Carl Müller’s Scenes from Egyptian Life: Ethnography, Race, and Orientalism in Habsburg Vienna, Marsha Morton (Pratt Institute, USA) 6. A Hungarian Treasure Chest: The Art Colony at Gödöllo in Critical Perspective, Rebecca Houze (Northern Illinois University, USA) 7. The Journey West: Gauguin, Philology, And the Celts of Brittany, Barbara Larson (The University of West Florida, USA) 8. In the Beginning was the Image: Russian Ethnography and Colonial Photography in Turkestan, 1860s–1870s, Margaret Dikovitskaya (Independent Scholar, USA) 9. “Children of the Narod: Early Soviet Children’s Books’ Racialization of Childhood”, Marie Gasper-Hulvat (Kent State University, USA) 10. From Sideshow to Portrait: The Ethnographic Vision of Christian Schad, Kristin Schroeder (University of Virginia, USA) 11. Anthropological Histories and Techniques in Philip Scheffner’s Films, Priyanka Basu (University of Minnesota, USA) Index

Reviews

Focusing our attention on the often contested and frequently porous borders of Europe , this essential collection of essays complicates our understanding of how race, ethnicity, and national identity have been constructed and operationalized through art, design, and visual culture. * Allison Morehead, Associate Professor of Art History, Queen's University, Canada * A compelling and timely collection of essays based on immaculate research that will alter the reader's critical understanding of the complex cultural-political engagement with subordinate ethnic groups in parts of Europe that have too long been marginalised by postcolonial discourse. * Sabine Wieber, Lecturer in History of Art, University of Glasgow, UK *

"This volume describes the attitudes and cultural mores of those countries typically positioned on the geographical margins of the western European art scene… building both a satisfyingly comprehensive and very specific picture of the social and cultural histories of countries at the Continental margins. * Visual Culture * [T]his edited volume offers a number of very rich case studies from different geographies within Europe. The chapters merge primary and secondary sources and open up possibilities for a critical interpretation of visual materials through the history of ethnography and anthropology. As such, the edited volume should be of interest to an interdisciplinary readership interested in the construction of the other through visual depictions. * German Studies Review * The marriage of intellectual historical writing to the analysis of art is a fresh approach to postcolonial studies ... [a] clever book. * Mosse Program Blog * Focusing our attention on the often contested and frequently porous ""borders of Europe"", this essential collection of essays complicates our understanding of how race, ethnicity, and national identity have been constructed and operationalized through art, design, and visual culture. * Allison Morehead, Associate Professor of Art History, Queen’s University, Canada * A compelling and timely collection of essays based on immaculate research that will alter the reader’s critical understanding of the complex cultural-political engagement with subordinate ethnic groups in parts of Europe that have too long been marginalised by postcolonial discourse. * Sabine Wieber, Lecturer in History of Art, University of Glasgow, UK *"

Author Information

Marsha Morton is Professor of Art History at Pratt Institute, USA. A specialist in German and Austrian cultural history with a focus on interdisciplinary topics of art, anthropology, science, and music, her books include Max Klinger and Wilhelmine Culture (2014) and the co-edited anthology The Arts Entwined (2000). She is also a co-editor and contributing author to Visual Culture and Pandemic Disease Since 1750: Capturing Contagion (2023). Barbara Larson is Professor of Modern European Art History at the University of West Florida, USA. She is lead editor of Darwin and Theories of Aesthetics and Cultural History (2013) and The Art of Evolution (2009) and author of The Dark Side of Nature (2005). She is also Series Editor of Science and the Arts since 1750 and Nineteenth-Century Science and Visual Culture in Great Britain.

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