Overview
This book studies creativity in its own right in the search for a creativity science. If we assume that creativity can best be described by constraint theory, the complexity and paradoxes of creativity can be reduced by dividing it into manageable sections. The model is tested and evidenced by numerous historical cases of pioneering work within the three intellectual fields: science, art, and technology. The model guides non-specialists from the many disciplines studying creativity and demonstrates the first principles of creativity science. Going all the way back to Aristotle, the author makes the basic ideas of the original founder of creativity science accessible and up to date with current research.
Full Product Details
Author: Feiwel Kupferberg
Publisher: Cambridge University Press
Imprint: Cambridge University Press
Dimensions:
Width: 15.80cm
, Height: 1.90cm
, Length: 23.50cm
Weight: 0.710kg
ISBN: 9781108839617
ISBN 10: 1108839614
Pages: 300
Publication Date: 29 July 2021
Audience:
Professional and scholarly
,
Professional & Vocational
Format: Hardback
Publisher's Status: Active
Availability: Manufactured on demand
We will order this item for you from a manufactured on demand supplier.
Reviews
'In this stimulating and thought-provoking book, Feiwel Kupferberg lays the groundwork for a whole new science of creativity, born in a multidisciplinary landscape and with a keen focus on constraints. It is a must-read for everyone interested in explaining creativity in context.' Lene Tanggaard, Professor in Educational Psychology, Aalborg University and Rector of the Kolding Design School, Denmark
'In this stimulating and thought-provoking book, Feiwel Kupferberg lays the groundwork for a whole new science of creativity, born in a multidisciplinary landscape and with a keen focus on constraints. It is a must-read for everyone interested in explaining creativity in context.' Lene Tanggaard, Professor in Educational Psychology, Aalborg University and Rector of the Kolding Design School, Denmark '... filled with fascinating examples from science, the arts, technology, rhetoric, and the natural world. The author covers trends, particularly in creative domains, focusing on, e.g., the advent of photography and its effect on the visual arts and the emerging movie industry and how in the 20th century, movies targeted a wide audience while visual art became increasingly incomprehensible ... all fields of endeavor afford levels of creativity from childhood exploration to pioneering work ... Recommended.' R. F. Subotnik, CHOICE
Author Information
Feiwel Kupferberg is Senior Professor in the Department of Culture, Language and Media at Malmö University, Sweden, and Adjunct Professor in the Department of Sociology and Social Work at Aalborg University, Denmark.
