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OverviewFull Product DetailsAuthor: Jennifer Holt (University of California, Santa Barbara, USA) , Kevin Sanson (Univeristy of California, Santa Barbara, USA)Publisher: Taylor & Francis Ltd Imprint: Routledge Dimensions: Width: 15.20cm , Height: 2.30cm , Length: 22.90cm Weight: 0.380kg ISBN: 9780415813600ISBN 10: 0415813603 Pages: 266 Publication Date: 14 December 2013 Audience: College/higher education , Tertiary & Higher Education , Undergraduate Format: Paperback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of Contents"""Introduction: Mapping Connections"" - Jennifer Holt and Kevin Sanson I: Industry Structure and Strategies 1. ""Regulating Connected Viewing: Media Pipelines and Cloud Policy"" - Jennifer Holt 2. ""Second-Screen Theory: From the Democratic Surround to the Digital Enclosure"" - Hye-Jin Lee and Mark Andrejevic 3. ""Windows into the Digital World: Distributor Strategies and Consumer Choice in an Era of Connected Viewing"" - Elissa Nelson 4. ""The Personal Media Collection in an Era of Connected Viewing"" - Gregory Steirer II: Technology and Platforms 5. ""Beyond Piracy: Understanding Digital Markets"" - Patrick Vonderau 6. ""Transparent Intermediaries: Building the Infrastructures of Connected Viewing"" - Joshua Braun 7. ""American Media Behind the Great Fire Wall: Chinese Social Media and Hollywood Film Distribution in the PRC"" - Aynne Kokas 8. ""Online Distribution of Film and Television in the UK: Behavior, Taste and Value"" - Elizabeth Evans and Paul McDonald III: Content and Engagement 9. ""Connected Viewing, Connected Capital: Fostering Gameplay Across Screens"" - Matthew Thomas Payne 10. ""Connected Viewing on the Second Screen: The Limitations of the Living Room"" - Ethan Tussey 11. ""Streaming U: College Students and Connected Viewing"" - Max Dawson and Chuck Tryon 12. ""The Contours of On-Demand Viewing"" - Sharon Strover and William Moner"ReviewsWhat counts as media entertainment-the modes of accessing it, the cultural routines around it, and the new ways to profit from it-is fast outstripping our critical frames of reference. The exhilarating challenge to throw an explanatory net over this refractory field has been taken up with relish by Connected Viewing. -Stuart Cunningham, Queensland University of Technology What counts as media entertainment-the modes of accessing it, the cultural routines around it, and the new ways to profit from it-is fast outstripping our critical frames of reference. The exhilarating challenge to throw an explanatory net over this refractory field has been taken up with relish by Connected Viewing. -Stuart Cunningham, Queensland University of Technology Jennifer Holt and Kevin Sanson provide a compelling and wide-ranging examination of the contemporary media environment that presents issues ripe for new types of research, while also giving scholars, students, and industry executives alike a multifaceted understanding of how-and why-people participate in viewing and sharing activities the way they do. -Sam Ford, co-author of Spreadable Media The book pitches itself as an introductory text for use in courses dealing with contemporary media studies and as such is a strong work. This makes it an excellent snapshot of the world of media technologies from 2010 to 2013. Summing Up: Highly recommended. Upper-division undergraduates through professionals/practitioners. -P. L. Kantor, formerly, Southern Vermont College, in CHOICE What counts as media entertainment-the modes of accessing it, the cultural routines around it, and the new ways to profit from it-is fast outstripping our critical frames of reference. The exhilarating challenge to throw an explanatory net over this refractory field has been taken up with relish by Connected Viewing. -Stuart Cunningham, Queensland University of Technology Jennifer Holt and Kevin Sanson provide a compelling and wide-ranging examination of the contemporary media environment that presents issues ripe for new types of research, while also giving scholars, students, and industry executives alike a multifaceted understanding of how-and why-people participate in viewing and sharing activities the way they do. -Sam Ford, co-author of Spreadable Media The book pitches itself as an introductory text for use in courses dealing with contemporary media studies and as such is a strong work. This makes it an excellent snapshot of the world of media technologies from 2010 to 2013. Summing Up: Highly recommended. Upper-division undergraduates through professionals/practitioners. -P. L. Kantor, formerly, Southern Vermont College, in CHOICE What counts as media entertainment-the modes of accessing it, the cultural routines around it, and the new ways to profit from it-is fast outstripping our critical frames of reference. The exhilarating challenge to throw an explanatory net over this refractory field has been taken up with relish by Connected Viewing. -Stuart Cunningham, Queensland University of Technology Jennifer Holt and Kevin Sanson provide a compelling and wide-ranging examination of the contemporary media environment that presents issues ripe for new types of research, while also giving scholars, students, and industry executives alike a multifaceted understanding of how-and why-people participate in viewing and sharing activities the way they do. -Sam Ford, co-author of Spreadable Media Author InformationJennifer Holt is Associate Professor of Film and Media Studies at the University of California, Santa Barbara. Kevin Sanson is Research Director of the Carsey-Wolf Center’s Media Industries Project at the University of California, Santa Barbara. Tab Content 6Author Website:Countries AvailableAll regions |