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9781941701331

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Highlights were Sandu Darie's playful sculpture and painting; his works' subdued palette felt distinctively local, the deep browns, auburns, and yellows conveying a rich, earthy materiality.--Grace Wales Bonner Artforum, Best of 2016

Interest in Cuban art will continue to grow, and Concrete Cuba's illustrations and chronology will be essential to art historians and curators in the coming years.--Dana Hart -ARLIS/NA Reviews -

Highlights were Sandu Darie's playful sculpture and painting; his works' subdued palette felt distinctively local, the deep browns, auburns, and yellows conveying a rich, earthy materiality.--Grace Wales Bonner -Artforum, Best of 2016 -

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Abigail McEwen is associate professor of Latin American art at the University of Maryland, College Park. She received her PhD from the Institute of Fine Arts, New York University, in 2010, and joined the faculty at the University of Maryland that year. She is an affiliated faculty member of the Latin American Studies Center. McEwen's own book, Revolutionary Horizons: Art and Polemics in 1950s Cuba, is forthcoming in 2016 from Yale University Press. Susanna Temkin is assistant curator at the Americas Society/Council of the Americas, New York. She earned her PhD from the Institute of Fine Arts, New York University, where her research focused on modern art in the Americas. Her doctoral dissertation centered on Marcelo Pogolotti, a key figure from the first generation of modern artists in Cuba and a participant in the international avant-garde.

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