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9780811770699

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Ceramicist Tardio-Brise debuts with a master class on working with paper clay. She begins with a thorough overview of the minerals and fibers used in the craft, and shares historical background (""In the eleventh century, in Europe, paper was made from hemp and flax. Then the use of wood made it possible to develop and diversify production.""). A section on clay composition provides a lesson in chemical formulas, and Tardio-Brise also touches on the benefits and risks associated with firing clay (there's the possibility of a project exploding). Next up are a plethora of techniques for making and using paper clay, covering preparation, sculpting, throwing, and making armatures. Once would-be sculptors have that information under their belts, the author offers 10 projects ""that wouldn't be possible to make with traditional clay."" A classic mosaic makes for an eye-catching art piece, a leaf-shaped platter combines beauty with function, and the antelope and giraffe statuettes make for décor options. Tardio-Brise's educational, comprehensive account makes for a fascinating look at creative uses for clay. Crafters looking to pick up something new will find this a great place to start. -- ""Publishers Weekly""

"Ceramicist Tardio-Brise debuts with a master class on working with paper clay. She begins with a thorough overview of the minerals and fibers used in the craft, and shares historical background (""In the eleventh century, in Europe, paper was made from hemp and flax. Then the use of wood made it possible to develop and diversify production.""). A section on clay composition provides a lesson in chemical formulas, and Tardio-Brise also touches on the benefits and risks associated with firing clay (there's the possibility of a project exploding). Next up are a plethora of techniques for making and using paper clay, covering preparation, sculpting, throwing, and making armatures. Once would-be sculptors have that information under their belts, the author offers 10 projects ""that wouldn't be possible to make with traditional clay."" A classic mosaic makes for an eye-catching art piece, a leaf-shaped platter combines beauty with function, and the antelope and giraffe statuettes make for d�cor options. Tardio-Brise's educational, comprehensive account makes for a fascinating look at creative uses for clay. Crafters looking to pick up something new will find this a great place to start. -- ""Publishers Weekly"""

Author Information

Liliane Tardio-Brise, ceramist, has been running a workshop in Alsace, France, for almost 20 years. Scientifically trained, she gives precise and informative instruction, enabling her students to comprehend the properties as well as the processes of working with paper clay.

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