Overview

Drawing on comparative literary studies, postcolonial book history, and multiple, literary, and alternative modernities, this collection approaches the study of alternative literary modernities from the perspective ofcomparative print culture. The term comparative print culture designates a wide range of scholarly practices that discover, examine, document, and/or historicize various printed materials and their reproduction, circulation, and uses across genres, languages, media, and technologies, all within a comparative orientation. This book explores alternative literary modernities mostly by highlighting the distinct ways in which literary and cultural print modernities outside Europe evince the repurposing of European systems and cultures of print and further deconstruct their perceived universality.    

Full Product Details

Author:   Rasoul Aliakbari
Publisher:   Springer Nature Switzerland AG
Imprint:   Springer Nature Switzerland AG
Edition:   1st ed. 2020
Weight:   0.454kg
ISBN:  

9783030368937

ISBN 10:   3030368939
Pages:   257
Publication Date:   08 April 2021
Audience:   Professional and scholarly ,  College/higher education ,  Professional & Vocational ,  Postgraduate, Research & Scholarly
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand  
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Table of Contents

1. “Comparative Print Culture and Alternative Literary Modernities: A Critical Introduction to Frameworks and Case Studies” by Rasoul Aliakbari (University of Alberta, Canada) 2. “Song Dynasty Classicism and Eleventh-Century ‘Print Modernity’ in China” by Daniel Fried (University of Alberta, Canada) 3. “Alternative Imaginaries of the Modern Girl: A Comparative Examination of Canadian and Australian Magazines” by Victoria Kuttainen and Jilly Lippmann (James Cook University, Australia) 4. “The Making of a National Hero: A Comparative Examination of Köroğlu the Bandit” by Judith M. Wilks (Northwestern University, US) 5. “Between Poetry and Reportage: Raúl González Tuñón, Journalism, and Literary Modernization in 1930s Argentina” by Geraldine Rogers (National University of La Plata, Argentina) 6. “New Fiction as a Medium of Public Opinion: The Utopian/Dystopian Imagination in Revolutionary Periodicals in Late Qing China” by Shuk Man Leung (The University of Hong Kong, HKSAR, China) 7. “Nineteenth-Century African American Publications on Food and Housekeeping: Negotiating Alternative Forms of Modernity” by Hélène Le Dantec-Lowry (Université Sorbonne Nouvelle, France) 8. “Progressing with A Vengeance: The Woman Reader/Writer in the African Press” by Corinne Sandwith (University of Pretoria, South Africa) 9. “Fashioning the Self: Women and Transnational Print Networks in Colonial Punjab” by Arti Minocha (Lady Shri Ram College, Delhi University, India) 10. “Crafting the Modern Word: Writing, Publishing, and Modernity in the Print Culture of Prewar Japan” by Andrew T. Kamei-Dyche (Saitama University, Japan) 11. ‘“Books for Men”: Pornography and Literary Modernity in Late Nineteenth-Century Brazil” by Leonardo P. Mendes (Rio de Janeiro State University, Brazil) 12. “Print Culture and the Reassertion of Indigenous Nationhood in Early-Mid-Twentieth Century Canada” by Brendan Frederick R. Edwards (The Royal Ontario Museum, Canada)

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Author Information

Rasoul Aliakbari (PhD) has taught English Studies, Comparative and World Literature, and Writing and Communication Studies at the University of Alberta, MacEwan University, Northern Alberta Institute of Technology, and NorQuest College, all in Canada.  

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