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OverviewFull Product DetailsAuthor: Robert Barry (Institute of Contemporary Music Performance, London, UK)Publisher: Bloomsbury Publishing Plc Imprint: Bloomsbury Academic USA Dimensions: Width: 12.00cm , Height: 1.40cm , Length: 16.40cm Weight: 0.149kg ISBN: 9781501348518ISBN 10: 1501348515 Pages: 160 Publication Date: 19 March 2020 Audience: General/trade , General Format: Paperback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsIntroduction 1 The Little Disc 2 The Faithful Disc 3 The Wounded Disc 4 The Undead Disc Postscript Acknowledgements Select Bibliography IndexReviewsThis thoughtful, elegantly written little book pays homage to that least loved of music formats, the compact disc. Filled with engaging anecdotes and philosophical observations, the book offers a concise cultural history of audio recording, describing the vicissitudes of the music industry and the dissolution of sonic objects into codes and clouds. * Christoph Cox, Professor of Philosophy, Hampshire College, USA, and author of Sonic Flux: Sound, Art, and Metaphysics (2018) * This thoughtful, elegantly written little book pays homage to that least loved of music formats, the compact disc. Filled with engaging anecdotes and philosophical observations, the book offers a concise cultural history of audio recording, describing the vicissitudes of the music industry and the dissolution of sonic objects into codes and clouds. * Christoph Cox, Professor of Philosophy, Hampshire College, USA, and author of Sonic Flux: Sound, Art, and Metaphysics (2018) * Robert Barry rekindles our wonder for the technology that 'put a laser in your living room.' Futuristic and confounding, the CD converted light into sound, philosophers into audio critics, and audio critics into philosophers. But this book is more than the story of a format whose perfection laid the groundwork for its own demise--it's also an intercultural history of light, the quest for technological perfection, and the art of critiquing that quest through glitches, skips, and stutters. * Mack Hagood, Robert H. and Nancy J. Blayney Associate Professor of Comparative Media Studies, Miami University of Ohio, USA, and author of Hush: Media and Sonic Self-Control (2019) * Author InformationRobert Barry is Visual Arts Editor at The Quietus and a Faculty Member at the Institute of Contemporary Music Performance, UK. He is the author of The Music of the Future (2017) and co-editor, with Houman Barekat and David Winters, of The Digital Critic: Literary Culture Online (2017). Tab Content 6Author Website:Countries AvailableAll regions |