Common Scents: Poetry, Modernity, and a Revolution of the Senses

Author:   Jonas Rosenbrück
Publisher:   State University of New York Press
ISBN:  

9781438499710


Pages:   248
Publication Date:   01 October 2024
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
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Common Scents: Poetry, Modernity, and a Revolution of the Senses


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Full Product Details

Author:   Jonas Rosenbrück
Publisher:   State University of New York Press
Imprint:   State University of New York Press
Dimensions:   Width: 15.20cm , Height: 2.50cm , Length: 22.90cm
Weight:   0.227kg
ISBN:  

9781438499710


ISBN 10:   143849971
Pages:   248
Publication Date:   01 October 2024
Audience:   General/trade ,  General
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Acknowledgments Introduction: Redistributing the Senses 1. Hölderlin's Air 2. Baudelaire's Perfumes 3. Nietzsche's Chaos 4. Brecht's Stench Epilogue: Cleanup Notes Bibliography Index

Reviews

"""Common Scents makes a very original contribution to the field of modern European letters. Picking up on Walter Benjamin's (and Marx's) hypothesis of the historicity of the senses, Rosenbrück claims the revolutionary potential of (the figure of) smell, pointing to the possibility of an 'emancipation of the senses' in a coming revolution. The book goes beyond any sort of thematics of smell and argues instead for a real politics of smell—not just an 'olfactory turn,' but a re-ordering of the senses that would be a dis-ordering revolution."" — Susan Bernstein, author of The Other Synaesthesia ""Common Scents offers a penetrating analysis of how smells, rendered in their ephemerality in poetic language, point the way out of the prosaic strictures in which capitalist modernity emplaces us by intimating insurrectionary, revolutionary other ways of relating to ourselves and to the world in and around us. Its revisions of influential readings of four major poet-thinkers discover in them new figures—from a 'latest' Hölderlin and 'exhaustive' Baudelaire to Nietzsche's 'olfactory genius' and Brecht's odorous body—for whom olfaction is both fundamental and transformative. As Common Scents shows, smell can therefore no longer be relegated to the margins or subordinated to any of the other senses; rather, its poetic inscriptions are timely reminders that the deodorization modernity seeks to impose on us can barely, if at all, inure us to the sense of a different order to come, one that is, as it were, right beneath our noses."" — Julia Ng, coeditor of Toward the Critique of Violence: A Critical Edition, by Walter Benjamin"


""Common Scents makes a very original contribution to the field of modern European letters. Picking up on Walter Benjamin's (and Marx's) hypothesis of the historicity of the senses, Rosenbrück claims the revolutionary potential of (the figure of) smell, pointing to the possibility of an 'emancipation of the senses' in a coming revolution. The book goes beyond any sort of thematics of smell and argues instead for a real politics of smell—not just an 'olfactory turn,' but a re-ordering of the senses that would be a dis-ordering revolution."" — Susan Bernstein, author of The Other Synaesthesia ""Common Scents offers a penetrating analysis of how smells, rendered in their ephemerality in poetic language, point the way out of the prosaic strictures in which capitalist modernity emplaces us by intimating insurrectionary, revolutionary other ways of relating to ourselves and to the world in and around us. Its revisions of influential readings of four major poet-thinkers discover in them new figures—from a 'latest' Hölderlin and 'exhaustive' Baudelaire to Nietzsche's 'olfactory genius' and Brecht's odorous body—for whom olfaction is both fundamental and transformative. As Common Scents shows, smell can therefore no longer be relegated to the margins or subordinated to any of the other senses; rather, its poetic inscriptions are timely reminders that the deodorization modernity seeks to impose on us can barely, if at all, inure us to the sense of a different order to come, one that is, as it were, right beneath our noses."" — Julia Ng, coeditor of Toward the Critique of Violence: A Critical Edition, by Walter Benjamin


Author Information

Jonas Rosenbrück is Assistant Professor of German at Amherst College.

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