Overview

Full Product Details

Author:   Arpad Szakolczai (University College Cork, Ireland)
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Dimensions:   Width: 15.20cm , Height: 2.00cm , Length: 22.90cm
Weight:   0.521kg
ISBN:  

9781138920668

ISBN 10:   1138920665
Pages:   358
Publication Date:   21 May 2015
Audience:   College/higher education ,  Tertiary & Higher Education ,  Undergraduate
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print  
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Introduction Part 1: The Public Sphere as a Theatrical Arena of Mocking Contest: Comedy, Mask, Laughter 1. The Public and Its Masks: Permanent Hyper-Critique and Hypocritical Performance 2. Nietzsche’s Intuitions: From Theatre Through Humanist Philology to Richard Wagner, or the Genealogy of the Modern World As Stage 3. Ridiculing as Public Weapon Part 2: The Rebirth of Theatre as Comedy out of the Spirit of the Byzantium 4. The Byzantine Spirit and Its Sources 5. Transmitting, Receiving and Nurturing the Byzantine Spirit 6. The Rise of Theatre in Venice Part 3: The Effect Mechanism of Commedia dell’Arte: Visions and Realities of Commedification 7. Commedia dell’Arte: Schismogenic Sub-Plots and Irresistible Stock-Types 8. Shakespeare: The Tragedy of World History Being a Comedy 9. Representing Representation: Visionary Images of Commedia dell’Arte Part 4: The Rebirth of Commedia dell’Arte as the Avant-garde 10. The Rebirth of Pierrot as Suffering Victim 11. Obsessed with Paris and Public Fame: Richard Wagner, the Mimomaniac Revolutionary 12. Pierrot and Pulcinella in Between Paris and Petersburg: The Avant-Garde of Diaghilev and Meyerhold. Conclusion.

Reviews

Author Information

Arpad Szakolczai is Professor of Sociology at University College Cork, Ireland.

Tab Content 6

Author Website:  

Countries Available

All regions