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OverviewFull Product DetailsAuthor: Sam Friedman (City University London, UK)Publisher: Taylor & Francis Ltd Imprint: Routledge Dimensions: Width: 15.60cm , Height: 1.30cm , Length: 23.40cm Weight: 0.362kg ISBN: 9781138125902ISBN 10: 1138125903 Pages: 228 Publication Date: 18 September 2015 Audience: College/higher education , Tertiary & Higher Education , Undergraduate Format: Paperback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of Contents1. Introduction: Funny to Whom? Part I: Positioning the Research 2. From Music Hall to the Alternative Boom: The Changing Field of British Comedy 3. Cultural Capital: From Resources to Realisation Part II: The Cultural Currency of a ‘Good’ Sense of Humour 4. Liking the ‘Right’ Comedy 5. Working for your Laughter: Comedy Styles and Embodied Cultural Capital 6. Cultural Omnivores or Culturally Homeless? Exploring the Comedy Tastes of the Socially Mobile Part III: Comic Cultural Capital: Strength and Legitimacy 7. Comedy Snobs and Symbolic Boundaries 8. The Tastemakers: Comedy Critics and the Legitimation of Cultural Capital 9. The Hidden Tastemakers: Comedy Scouts as Cultural Brokers 10. ConclusionReviewsCertainly his book is a thoughtful and thought-provoking study which, though relating to popular culture, is addressed to an academic audience and I doubt that those looking for an 'easy option' will find this an 'easy read'... [the book] produces a 'highly recommended' rosette, particularly for students of sociology and cultural studies. - Sep Meyer, ASPEN Overall, Comedy and distinction is a strong, well-articulated piece of research that provides important elements for contemporary debates on cultural consumption. It should be read by sociologists of culture at large, and not only by specialists of humour. Friedman highlights the importance of 'embodied cultural capital': cultural capital is not only made of educational degrees, but is inscribed in behaviours and dispositions, in abilities to enjoy various kinds of cultural objects. - Samuel Coavoux, Lectures Certainly his book is a thoughtful and thought-provoking study which, though relating to popular culture, is addressed to an academic audience and I doubt that those looking for an `easy option' will find this an `easy read'... [the book] produces a `highly recommended' rosette, particularly for students of sociology and cultural studies. - Sep Meyer, ASPEN Overall, Comedy and distinction is a strong, well-articulated piece of research that provides important elements for contemporary debates on cultural consumption. It should be read by sociologists of culture at large, and not only by specialists of humour. Friedman highlights the importance of `embodied cultural capital': cultural capital is not only made of educational degrees, but is inscribed in behaviours and dispositions, in abilities to enjoy various kinds of cultural objects. - Samuel Coavoux, Lectures Certainly his book is a thoughtful and thought-provoking study which, though relating to popular culture, is addressed to an academic audience and I doubt that those looking for an 'easy option' will find this an 'easy read'... [the book] produces a 'highly recommended' rosette, particularly for students of sociology and cultural studies. - Sep Meyer, ASPEN Overall, Comedy and distinction is a strong, well-articulated piece of research that provides important elements for contemporary debates on cultural consumption. It should be read by sociologists of culture at large, and not only by specialists of humour. Friedman highlights the importance of 'embodied cultural capital': cultural capital is not only made of educational degrees, but is inscribed in behaviours and dispositions, in abilities to enjoy various kinds of cultural objects. - Samuel Coavoux, Lectures Author InformationSam Friedman, from September 2014, is Assistant Professor in Sociology at the London School of Economics and Political Science (LSE). He has published widely on comedy, social mobility and social class. He is also the publisher of Fest magazine, the largest magazine covering the Edinburgh Festival Fringe. Tab Content 6Author Website:Countries AvailableAll regions |
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