Awards

• Nominated for Pushcart Prize 2020 (United States)

Overview

Work is a joke. Laughing at it is political. Humor, Groucho Marx asserted, is 'reason gone mad.' For Walter Benjamin, laughter was 'the most revolutionary emotion.' In a moment when great numbers of people are reevaluating their commitment to the hellscape we call 'work,' what does it mean to take comedy seriously - and to turn it against work? Both philosophically brilliant and deeply personal, Comedy Against Work demonstrates how laughing about work can puncture the pretensions of tyrannical bosses while uniting us around a commitment to radically new ways of making the world together. At the same time, Lane-McKinley exposes a war at the heart of contemporary comedy between those who see comedy as a weapon for punching down and those whose laughter points to social transformation. From stand-up to sitcoms, podcasts to late night, comedy reveals our longing to subvert power, escape the prison of work, and envision the joys of a liberated world. 'Comedy can be a weapon, Madeline Lane-McKinley reminds us, in any hands, for good or for fascist purposes. In her hands, it is a scalpel for taking apart the world of work, for teaching us how it got so damn bad. But it is also, she brilliantly reminds us, a tool for dismantling capitalist common sense. Join her as she encourages us to embrace laughter as a refusal of work and to claim the rich pleasures of being a killjoy.' - Sarah Jaffe, author of Work Won't Love You Back 'Comedy Against Work is the most pleasurable, wide-ranging, and deeply knowledgeable guide to the contradictions of contemporary capitalist culture that I have read in a very long time. Lane-McKinley achieves that rare accomplishment: a book that will appeal equally to casual lovers of humor and its history, from the origins of stand-up to the lockdown comedy podcast, and to readers looking for a critical account of how this history of humor intersects with the changing landscape of work in the U.S. context from the 1970s to the present.Comedy Against Worksits squarely within the great tradition of Marxist books that offer a framework for thought to an audience longing to understandwhythings are the way they are, how they got to be that way, what it means, and what we can do with this knowledge to change our conditions for the better. A great addition to the growing corpus of popular manifestos coming from leading thinkers of the Left.' - Jordy Rosenberg, author ofConfessions of the Fox 'From working-class sitcoms to podcasts about making podcasts, this whirlwind tour of American comedy brings labor to the front, where Madeline Lane-McKinley reveals it has been all along. You'll never laugh the same!' - Malcolm Harris, author of Kids These Days: Human Capital and the Making of Millennials 'What a deeply creative exploration of humor and its discontents Madeline Lane-McKinley has given us, one which takes readers on a tour of sitcoms, standup, late night and comedy strikes. What is so funny about late capitalism, anyway? This is a book about the wages of laughter and it's for anyone who has wondered whether the joke is on capitalism or them.' - Leigh Claire La Berge, Fellow at Free University of Berlin and author of Wages Against Artwork

Full Product Details

9781942173700

Table of Contents

Reviews

A lively, amusing, galvanizing charting of comedy's unique capacity to register our pervasive ambivalence about work: our dependence on it, our complicated ways of being shaped and plagued by it, and our desires to escape it. Rooted in our antiwork moment, but historicizing comedic forms from the sitcom to the stand-up routine to the Covid comedy special, Lane-McKinley sees comedy as revolutionary laughter, bulwark against despair, collective complaint, and utopian longing because the world of work we've known-abuse, compulsion, mortal danger to self and planet-isn't the only possibility. -Sarah Brouillette, Professor of English, Carleton University

“Comedy can be a weapon, Madeline Lane-McKinley reminds us, in any hands, for good or for fascist purposes. In her hands, it is a scalpel for taking apart the world of work, for teaching us how it got so damn bad. But it is also, she brilliantly reminds us, a tool for dismantling capitalist common sense. Join her as she encourages us to embrace laughter as a refusal of work and to claim the rich pleasures of being a killjoy.”—Sarah Jaffe, author of Work Won't Love You Back “Comedy Against Work is the most pleasurable, wide-ranging, and deeply knowledgeable guide to the contradictions of contemporary capitalist culture that I have read in a very long time. Lane-McKinley achieves that rare accomplishment: a book that will appeal equally to casual lovers of humor and its history, from the origins of stand-up to the lockdown comedy podcast, and to readers looking for a critical account of how this history of humor intersects with the changing landscape of work in the U.S. context from the 1970s to the present. Comedy Against Work sits squarely within the great tradition of Marxist books that offer a framework for thought to an audience longing to understand why things are the way they are, how they got to be that way, what it means, and what we can do with this knowledge to change our conditions for the better. A great addition to the growing corpus of popular manifestos coming from leading thinkers of the Left.“—Jordy Rosenberg, author of Confessions of the Fox “From working-class sitcoms to podcasts about making podcasts, this whirlwind tour of American comedy brings labor to the front, where Madeline Lane-McKinley reveals it has been all along. You’ll never laugh the same!”—Malcolm Harris, author of Kids These Days: Human Capital and the Making of Millennials “What a deeply creative exploration of humor and its discontents Madeline Lane-McKinley has given us, one which takes readers on a tour of sitcoms, standup, late night and comedy strikes. What is so funny about late capitalism, anyway? This is a book about the wages of laughter and it’s for anyone who has wondered whether the joke is on capitalism or them.” —Leigh Claire La Berge, Fellow at Free University of Berlin and author of Wages Against Artwork “When work sucks and society appears on the verge of collapse, the laugh-makers are there to numb us back into passivity. But sometimes, Madeline Lane-McKinley reminds us, there are class clowns  who help us envision a more egalitarian alternative and future. In this radically insightful and critical analysis of the relationship between labor, comedy, and political economy, Lane-McKinley looks closely and clearly at the anti-utopian and utopian potential of comedy alongside the social and political divides that pervade our everyday lives.”—Raúl Pérez, author of The Souls of White Jokes: How Racist Humor Fuels White Supremacy    “Moving deftly between mordant critique and radical hope, Comedy Against Work illuminates both the comedy of work and the work of comedy. Attuned to comedy’s history and politics as well as to its form, Lane-McKinley offers a compelling and original narrative that gets us from Lucille Ball frantically trying to keep pace with an assembly line to contemporary feminist stand-up and its anti-work “dream of rest.” Comedy Against Work also provocatively breaks the form of the traditional scholarly “work” by interweaving personal narratives—from Lane-McKinley’s memories of watching her grandmother watch TV while doing housework to her own experiences as an academic “gigworker.” Smart, moving, and politically fierce, this book will change the way we think about comedy and illuminate the way to a world beyond work.”—Annie McClanahan, author of Dead Pledges: Debt, Crisis, and Twenty-First-Century Culture “A lively, amusing, galvanizing charting of comedy's unique capacity to register our pervasive ambivalence about work: our dependence on it, our complicated ways of being shaped and plagued by it, and our desires to escape it. Rooted in our antiwork moment, but historicizing comedic forms from the sitcom to the stand-up routine to the Covid comedy special, Lane-McKinley sees comedy as revolutionary laughter, bulwark against despair, collective complaint, and utopian longing because the world of work we've known—abuse, compulsion, mortal danger to self and planet—isn't the only possibility.”—Sarah Brouillette, Professor of English, Carleton University “Madeline Lane-McKinley is among the brightest fruits in the anglophone critical ecology of utopian thinkers, and this hotly anticipated book does not disappoint. Here, the labors of laughter—in and against capitalism's work society—become a way of understanding structural violence, a gauge for shifting economic logics, and also a possible weapon for liberation. In these pages, Lane-McKinley showcases the full potential of the unique tendency of antiwork cultural criticism for which Blind Field, the journal she co-founded, is known. Comedy Against Work not only educates our desire for a world utterly transformed, it provides us with tools that can help us actualize it.”—Sophie Lewis, author of Abolish the Family: A Manifesto for Care and Liberation

Comedy can be a weapon, Madeline Lane-McKinley reminds us, in any hands, for good or for fascist purposes. In her hands, it is a scalpel for taking apart the world of work, for teaching us how it got so damn bad. But it is also, she brilliantly reminds us, a tool for dismantling capitalist common sense. Join her as she encourages us to embrace laughter as a refusal of work and to claim the rich pleasures of being a killjoy. -Sarah Jaffe, author of Work Won't Love You Back From working-class sitcoms to podcasts about making podcasts, this whirlwind tour of American comedy brings labor to the front, where Madeline Lane-McKinley reveals it has been all along. You'll never laugh the same! -Malcolm Harris, author of Kids These Days: Human Capital and the Making of Millennials What a deeply creative exploration of humor and its discontents Madeline Lane-McKinley has given us, one which takes readers on a tour of sitcoms, standup, late night and comedy strikes. What is so funny about late capitalism, anyway? This is a book about the wages of laughter and it's for anyone who has wondered whether the joke is on capitalism or them. -Leigh Claire La Berge, Fellow at Free University of Berlin and author of Wages Against Artwork Moving deftly between mordant critique and radical hope, Comedy Against Work illuminates both the comedy of work and the work of comedy. Attuned to comedy's history and politics as well as to its form, Lane-McKinley offers a compelling and original narrative that gets us from Lucille Ball frantically trying to keep pace with an assembly line to contemporary feminist stand-up and its anti-work dream of rest. Comedy Against Work also provocatively breaks the form of the traditional scholarly work by interweaving personal narratives-from Lane-McKinley's memories of watching her grandmother watch TV while doing housework to her own experiences as an academic gigworker. Smart, moving, and politically fierce, this book will change the way we think about comedy and illuminate the way to a world beyond work. -Annie McClanahan, author of Dead Pledges: Debt, Crisis, and Twenty-First-Century Culture A lively, amusing, galvanizing charting of comedy's unique capacity to register our pervasive ambivalence about work: our dependence on it, our complicated ways of being shaped and plagued by it, and our desires to escape it. Rooted in our antiwork moment, but historicizing comedic forms from the sitcom to the stand-up routine to the Covid comedy special, Lane-McKinley sees comedy as revolutionary laughter, bulwark against despair, collective complaint, and utopian longing because the world of work we've known-abuse, compulsion, mortal danger to self and planet-isn't the only possibility. -Sarah Brouillette, Professor of English, Carleton University

Author Information

MadelineLane-McKinleyis a writer, professor, and Marxist-feminist with a PhD in Literature from the University of California, Santa Cruz. She is a founding member ofBlind Field: A Journal of Cultural Inquiry. Her writing has appeared in publications such asLos Angeles Review of Books,Boston Review,The New Inquiry,Entropy,GUTS, andCultural Politics. She is also the author of the chapbookDear Zand a contributor toThe Museum of Capitalism.

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