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9780240808741

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As digital intermediates become increasingly prevalent and a greater number of theaters convert to digital projection, an understanding of the concepts the author explores is pivotal for filmmakers at all stages of the postproduction workflow. The clarity of Kennel's writing and his broad approach make Color and Mastering for a Digital Cinema a fine overview of the subject. -Jim Hemphill, American Cinematographer Magazine

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Glenn Kennel works for the DLP Cinema group of Texas Instruments in a role that includes technology and business development. His primary focus is working with the industry and digital cinema suppliers on interoperability and standardization. Previously, in a twenty year career with Kodak, he led the development of the Cineon digital film scanners and laser recorders and the prototype HDTV telecine that became the Spirit Datacine. As a consultant, he helped DCI draft the technical specifications for digital cinema. Kennel also chairs the SMPTE DC28 Color ad hoc group. He is a SMPTE Fellow and has received the SMPTE Journal Award.

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