Overview

Collusions of Fact and Fiction traces a generational shift in late twentieth-century African American cultural engagements with the history and legacies of transatlantic slavery. With a focus on works by playwright Suzan-Lori Parks and visual artist Kara Walker, the book explores how, in comparison to the first wave of neo-slave narratives of the 1970s and 1980s, artists of the 1990s and early 2000s tend to approach the past from the vantage point of a liberal entanglement of fact and fiction as well as a highly playful, often humorous, and sometimes irreverent signifying on entrenched motifs, iconographies, and historiographies. Saal argues that the attempt to reconstruct or recuperate the experience of African Americans under slavery is no longer at stake in the works of artists growing up in the post–Civil Rights era. Instead, they lay bare the discursive dimension of our contemporary understanding of the past and address the continued impact of its various verbal and visual signs upon contemporary identities. In this manner, Parks and Walker stake out new possibilities for engaging the past and inhabiting the present and future.  

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9781609387785

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Reviews

"""An accomplished work of scholarship. Drawing on an authoritative command of the literature and a dexterous use of theory, Saal puts forward a clear and compelling interpretation of two major contemporary Black artists. At the same time, she develops a novel theory of contemporary Black aesthetic production called historiopoeisis.""--Tavia Nyong'o, Yale University ""Ilka Saal's analytic approach to [Parks's and Walker's] works through historiopoesis not only illuminates these texts in new ways, but also provides an analytic framework to understand other plays and narrative texts that emerge from this generation of Black artists. . . . It enables her to bring Parks's work--distinctly theatrical--into conversation with Walker's, which she effectively argues is performative because of its scale and the various ways in which her audience interacts with the installations.""--American Literary History ""Collusions of Fact and Fiction expands the critical discourse on two artists central to the Black postmodern: playwright Suzan-Lori Parks and visual artist Kara Walker. Highlighting the poststructuralist understanding of history that subtends both artists' bodies of work, this book offers a new map to a vital territory in contemporary culture.""--Arlene R. Keizer, author, Black Subjects: Identity Formation in the Contemporary Narrative of Slavery"

"""Collusions of Fact and Fiction expands the critical discourse on two artists central to the Black postmodern: playwright Suzan-Lori Parks and visual artist Kara Walker. Highlighting the poststructuralist understanding of history that subtends both artists' bodies of work, this book offers a new map to a vital territory in contemporary culture.""--Arlene R. Keizer, author, Black Subjects: Identity Formation in the Contemporary Narrative of Slavery ""An accomplished work of scholarship. Drawing on an authoritative command of the literature and a dexterous use of theory, Saal puts forward a clear and compelling interpretation of two major contemporary Black artists. At the same time, she develops a novel theory of contemporary Black aesthetic production called historiopoeisis.""--Tavia Nyong'o, Yale University"

Collusions of Fact and Fiction expands the critical discourse on two artists central to the Black postmodern: playwright Suzan-Lori Parks and visual artist Kara Walker. Highlighting the poststructuralist understanding of history that subtends both artists' bodies of work, this book offers a new map to a vital territory in contemporary culture. --Arlene R. Keizer, author, Black Subjects: Identity Formation in the Contemporary Narrative of Slavery An accomplished work of scholarship. Drawing on an authoritative command of the literature and a dexterous use of theory, Saal puts forward a clear and compelling interpretation of two major contemporary Black artists. At the same time, she develops a novel theory of contemporary Black aesthetic production called historiopoeisis. --Tavia Nyong'o, Yale University

Author Information

Ilka Saal is professor of American literature at the University of Erfurt. She is the author of New Deal Theater: The Vernacular Tradition in American Political Theater. She lives in Leipzig, Germany.

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