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OverviewSince the latter part of the 1960's the pedagogic philosophy of Paulo Freire and the theatrical techniques of Augusto Boal have been reflected in the theatre first in Brazil, then in Chile, Argentina, Colombia, Peru, and other countries. This study traces the emergence of the collaborative popular theatre movement in Latin America, as the teatro de concientizacion espoused by Freire and Boal revolutionized the content and structure of the Latin American performance text. Few attempts have been made to define this dramatic form and to accord it the recognition it so well deserves, since it speaks to the specific concerns of regional target audiences. The present analysis offers new insights into the evolution of collaborative popular theatre as an artistic form and, perhaps even more importantly, it addresses its sociopolitical implications.The uniqueness of this dramatic form is its ability to unite a populace in the task of codifying reality into symbols that can generate critical consciousness, empowering the spectator-participant to alter his relationship to nature and social forces and to fulfill his historical vocation of becoming part of many transforming agents of social reality in his community. The text includes the artistic contributions of groups such as Libre Teatro Libre, Teatro Experimental de Cali, Teatro La Fragua, and the dramatic movements of the Chilean Teatro Poblacional and the Nicaraguan Teatro Comunitario, among others. Full Product DetailsAuthor: Elena De CostaPublisher: Peter Lang Publishing Inc Imprint: Peter Lang Publishing Inc Edition: illustrated edition Volume: 179 Weight: 0.400kg ISBN: 9780820416533ISBN 10: 0820416533 Pages: 175 Publication Date: 01 October 1992 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Available To Order ![]() We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately. Table of ContentsReviewsA valuable in-depth study of collective text creation in the popular theater movement of Latin America. Recommended for serious students, researchers, and practitioners interested in Latin American theater and drama. (E.C. Ramirez, Choice) Author InformationThe Author: Elena De Costa received her Ph.D. in Hispanic literature from the University of Wisconsin. She has taught at Santa Clara University, Indiana University of Pennsylvania, and the College of Wooster. Her teaching experience and publications span a diversity of topics including Spanish language and culture and Hispanic literature and politics. Tab Content 6Author Website:Countries AvailableAll regions |