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Overview""Like the artists studied here, we pick and choose our Shakespeares, and through that labor another story emerges. Frozen in time on the page or screen, some of those collaborations continue to speak, but denuded of their immediate moment and surroundings; we are left to supplement the traces. In recovering that past, the present takes on greater clarity and contrast. But the proof must be in the telling. A writer lifts a pen. Enter the multiple forces-political and economic, psychological, formal, and technical-that serendipitously transform imagination into memory. Let the collaborative play begin.""-from the IntroductionFocusing on key writers, actors, theater directors, and filmmakers who have kept Shakespeare at the center of their endeavors over the past two hundred years, Collaborations with the Past illuminates not only the playwright's work but also the choices and responsibilities involved in re-creating culture, and the ingenuity and peril of the artistic process. By concentrating on rich yet problematic instances of Shakespeare's reanimation in such quintessentially modern forms as the novel and film, from Sir Walter Scott's Kenilworth to Kenneth Branagh's Henry V, Diana E. Henderson sketches a complex history of the pleasures and difficulties that ensue when Shakespeare and modern artists collaborate.Working with texts across the entire range of Shakespeare's career, Henderson demonstrates-through detailed analyses of novels including Jane Eyre and Mrs. Dalloway as well as filmed, televised, and staged performances-that art (even in the newest media) cannot avoid collaborating with the past. Only by studying that collaborative process can we comprehend Shakespeare and Anglo-American culture. Full Product DetailsAuthor: Diana E. HendersonPublisher: Cornell University Press Imprint: Cornell University Press Dimensions: Width: 15.20cm , Height: 2.10cm , Length: 22.90cm Weight: 0.454kg ISBN: 9780801477904ISBN 10: 0801477905 Pages: 277 Publication Date: 18 July 2012 Audience: College/higher education , Professional and scholarly , Undergraduate , Postgraduate, Research & Scholarly Format: Paperback Publisher's Status: Active Availability: Manufactured on demand ![]() We will order this item for you from a manufactured on demand supplier. Table of ContentsShake-shifting: An Introduction Part One: Novel Transformations 1. Bards of the Borders: Scott's Kenilworth, the Nineteenth Century's Shakespeare, and the Tragedy of Othello 2. A Fine Romance: Cymbeline, [Jane Eyre], and Mrs. Dalloway Part Two: Media Crossings 3. The Return of the Shrew: New Media, Old Stories, and Shakespearean Comedy 4. What's Past Is Prologue: Shakespeare's History and the Modern Performance of Henry V Bibliography IndexReviewsDiana E. Henderson's highly intelligent book maps the complexities arising from the trajectories Shakespeare's reputation takes as it moves from modernity to postmodernity. By tracing how the processes of collaboration operate 'in between' Shakespeare and his present-day rewriters, the collisions she explores offer a fresh look at the particular anxieties of influence entailed in 'working with Shakespeare.' Barbara Hodgdon, University of Michigan <p> Collaborations with the Past rises above many other books on Shakespearean reworkings. Diana E. Henderson is remarkably thoughtful as she investigates the historical and cultural forces that influence authors' collaborations with Shakespeare. Choice <p> Collaborations with the Past rises above many other books on Shakespearean reworkings. Diana E. Henderson is remarkably thoughtful as she investigates the historical and cultural forces that influence authors' collaborations with Shakespeare. -Choice Author InformationDiana E. Henderson is Professor of Literature at MIT. She is the author of Passion Made Public: Elizabethan Lyric, Gender, and Performance and the editor of A Concise Companion to Shakespeare on Screen. Tab Content 6Author Website:Countries AvailableAll regions |