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OverviewIn Cold Modernism, Jessica Burstein explores various cultural facets of modernism, tying them into a fresh conceptual framework. Central to her analysis is the important premise that our current understanding of modernism is fundamentally incomplete. Reacting against “hot,” libidinous, and psychology-centered modernism, Burstein asserts that “a constellation of modernist sensibility” has been left unacknowledged, one that laid the essential groundwork for postmodernism. In her wide-ranging discussion of fiction, poetry, art, and fashion, Burstein sets up the parameters of what she calls “cold modernism.” According to Burstein, cold modernism operates on the premise that “there is a world in which the mind does not exist, let alone matter”; it runs counter to the “tropical bodies” of Virginia Woolf and D. H. Lawrence. Basing the core of her analysis on the written works of Wyndham Lewis, Burstein views varying disciplines within modernism through the lens of their human interest, focusing on the “coldest”: works that convey the mechanical and inhuman. In these works, she contends, the role of the self is nonexistent, and the individual mind is merely a physical fact. Cold Modernism raises questions fundamental to the understanding of modernist and postmodernist written and visual culture and is destined to become essential reading in the field. Full Product DetailsAuthor: Jessica Burstein (Associate Professor, Associate Professor, Department of English)Publisher: Pennsylvania State University Press Imprint: Pennsylvania State University Press Volume: 17 Dimensions: Width: 17.10cm , Height: 2.40cm , Length: 24.10cm Weight: 0.953kg ISBN: 9780271053769ISBN 10: 0271053763 Pages: 336 Publication Date: 15 August 2012 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: To order Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Table of ContentsReviewsReaders who possess a passing familiarity with these artists, their personalities, and their artistic expression which often ran uncomfortably but purposely against orthodox modernism will realize the challenge undertaken by this author. With 52 pages of endnotes and bibliography, the effort certainly can be considered erudite. W. S. Bradley, Choice Author InformationJessica Burstein is Associate Professor of English at the University of Washington. Tab Content 6Author Website:Countries AvailableAll regions |