Clothing the New World Church: Liturgical Textiles of Spanish America, 1520–1820

Author:   Maya Stanfield-Mazzi
Publisher:   University of Notre Dame Press
ISBN:  

9780268108052


Pages:   432
Publication Date:   15 February 2021
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
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Clothing the New World Church: Liturgical Textiles of Spanish America, 1520–1820


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Full Product Details

Author:   Maya Stanfield-Mazzi
Publisher:   University of Notre Dame Press
Imprint:   University of Notre Dame Press
Dimensions:   Width: 17.80cm , Height: 3.30cm , Length: 25.40cm
ISBN:  

9780268108052


ISBN 10:   0268108056
Pages:   432
Publication Date:   15 February 2021
Audience:   General/trade ,  Professional and scholarly ,  General ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Introduction 1. Woven Silk 2. Embroidery 3. Featherwork 4. Tapestry 5. Painted Cotton and Cotton Lace 6. Conclusion Glossary of Liturgical and Textile Terms

Reviews

Although there are several studies on pre-Columbian textiles, this is the first book I am aware of that deals with colonial textile arts. Clothing the New World Church allows for comparisons between different native traditions, colonial economies, and church styles. -Andres I. Prieto, author of Missionary Scientists Stanfield-Mazzi celebrates the vibrant transformation of Amerindian and European textile traditions crafted for a Spanish American Church that was 'shrouded in cloth.' Her insightful, fully-documented Clothing the New World Church analyzes the fabrics' materiality and techne, their warp and weft serving as an appropriate metaphor for a remarkable trans-Atlantic synthesis. -Jeanette F. Peterson, author of The Paradise Garden Murals of Malinalco


Although there are several studies on pre-Columbian textiles, this is the first book I am aware of that deals with colonial textile arts. Clothing the New World Church allows for comparisons between different native traditions, colonial economies, and church styles. -Andres I. Prieto, author of Missionary Scientists Stanfield-Mazzi celebrates the vibrant transformation of Amerindian and European textile traditions crafted for a Spanish American Church that was 'shrouded in cloth.' Her insightful, fully documented Clothing the New World Church analyzes the fabrics' materiality and techne, their warp and weft serving as an appropriate metaphor for a remarkable transatlantic synthesis. -Jeanette F. Peterson, author of The Paradise Garden Murals of Malinalco Maya Stanfield-Mazzi's book provides the first broad survey of church textiles of Spanish America, demonstrating that, while overlooked, textiles were a vital part of visual culture in the Catholic Church. -Trebuchet Maya Stanfield-Mazzi provides the first comprehensive survey of church adornment with textiles, addressing how these works helped establish Christianity in Spanish America and expand it over four centuries. Including more than 180 photos, the book examines both imported and indigenous textiles used in the church, compiling works that are now scattered around the world and reconstructing their original contexts. -American Catholic Studies Newsletter


Although there are several studies on pre-Columbian textiles, this is the first book I am aware of that deals with colonial textile arts. Clothing the New World Church allows for comparisons between two different native traditions, colonial economies, and church styles. -Andres I. Prieto, author of Missionary Scientists Stanfield-Mazzi celebrates the vibrant transformation of Amerindian and European textile traditions crafted for a Spanish American Church that was 'shrouded in cloth.' Her insightful, fully-documented Clothing the New World Church analyzes the fabrics' materiality and techne, their warp and weft serving as an appropriate metaphor for a remarkable trans-Atlantic synthesis. -Jeanette F. Peterson, author of The Paradise Garden Murals of Malinalco


Although there are several studies on pre-Columbian textiles, this is the first book I am aware of that deals with colonial textile arts. Clothing the New World Church allows for comparisons between different native traditions, colonial economies, and church styles. -Andres I. Prieto, author of Missionary Scientists Stanfield-Mazzi celebrates the vibrant transformation of Amerindian and European textile traditions crafted for a Spanish American Church that was 'shrouded in cloth.' Her insightful, fully documented Clothing the New World Church analyzes the fabrics' materiality and techne, their warp and weft serving as an appropriate metaphor for a remarkable transatlantic synthesis. -Jeanette F. Peterson, author of The Paradise Garden Murals of Malinalco


Although there are several studies on pre-Columbian textiles, this is the first book I am aware of that deals with colonial textile arts. Clothing the New World Church allows for comparisons between two different native traditions, colonial economies, and church styles. -Andres I. Prieto, author of Missionary Scientists Although there are several studies on pre-Columbian textiles, this is the first book I am aware of that deals with colonial textile arts. Clothing the New World Church allows for comparisons between different native traditions, colonial economies, and church styles. -Andres I. Prieto, author of Missionary Scientists Stanfield-Mazzi celebrates the vibrant transformation of Amerindian and European textile traditions crafted for a Spanish American Church that was 'shrouded in cloth.' Her insightful, fully-documented Clothing the New World Church analyzes the fabrics' materiality and techne, their warp and weft serving as an appropriate metaphor for a remarkable trans-Atlantic synthesis. -Jeanette F. Peterson, author of The Paradise Garden Murals of Malinalco


Author Information

Maya Stanfield-Mazzi is an associate professor of art history at the University of Florida. She is the author of Object and Apparition: Envisioning the Christian Divine in the Colonial Andes.

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