Overview
The story of India’s exuberantly colored textiles that made their mark on design, technology, and trade around the world Chintz, a type of multicolored printed or painted cotton cloth, originated in India yet exerted influence far beyond its home shores: it became a driving force of the spice trade in the East Indies, and it attracted European merchants, who by the 17th century were importing millions of pieces. In the 18th century, Indian chintz became so coveted globally that Europeans attempted to imitate its uniquely vibrant dyes and design—a quest that eventually sparked the mechanical and business innovations that ushered in the Industrial Revolution, with its far-reaching societal impacts. This beautifully illustrated book tells the fascinating and multidisciplinary stories of the widespread desire for Indian chintz over 1,000 years to its latest resurgence in modern fashion and home design. Based on the renowned Indian chintz collections held at the Royal Ontario Museum, the book showcases the genius of Indian chintz makers and the dazzling variety of works they have created for specialized markets: religious and court banners for India, monumental gilded wall hangings for elite homes in Europe and Thailand, luxury women’s dress for England, sacred hangings for ancestral ceremonies in Indonesia, and today’s runways of Lakme Fashion Week in Mumbai. Distributed for the Royal Ontario Museum Exhibition Schedule: Royal Ontario Museum (April 4–September 27, 2020)
Full Product Details
Author: Sarah Fee ,
Sven Beckert
Publisher: Yale University Press
Imprint: Yale University Press
Dimensions:
Width: 22.90cm
, Height: 0.30cm
, Length: 30.50cm
Weight: 2.013kg
ISBN: 9780300246797
ISBN 10: 030024679
Pages: 312
Publication Date: 11 February 2020
Audience:
General/trade
,
General
Format: Hardback
Publisher's Status: Active
Availability: Available To Order
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Reviews
Scholarly yet sumptuous -Crafts Magazine [A]n intriguing and fascinating narrative through centuries of trade, artistry, politics and culture drawn from the threads of this classic cloth -Embroidery magazine Cloth That Changed the World offers a beautiful catalogue of the Royal Ontario Museum's exceptional collection alongside diverse, authoritative texts. -Avalon Fotheringham, Journal of the Oriental Rug and Textile Society of Great Britain
“Scholarly yet sumptuous”—Crafts Magazine “[A]n intriguing and fascinating narrative through centuries of trade, artistry, politics and culture drawn from the threads of this classic cloth”—Embroidery magazine “Cloth That Changed the World offers a beautiful catalogue of the Royal Ontario Museum’s exceptional collection alongside diverse, authoritative texts.”—Avalon Fotheringham, Journal of the Oriental Rug and Textile Society of Great Britain Shortlisted for the R. L. Shep Award, sponsored by The Textile Society of America
Author Information
Sarah Fee is senior curator of Eastern Hemisphere fashion and textiles at the Royal Ontario Museum.
