Overview
Close Listening and the Performed Word brings together seventeen strikingly original essays, especially written for this volume, on the poetry reading, the sounds of poetry, and the visual performance of poetry. While the performance of poetry is as old as poetry itself, critical attention to modern and postmodern poetry performance has been negligible. This collection opens many new avenues for the critical discussion of the sound and performance of poetry, with special attention to innovative work. More important, the essays collected here offer brilliant and wide-ranging elucidations of how twentieth-century poetry has been practiced as a performance art. The contributors--including Marjorie Perloff, Susan Stewart, Johanna Drucker, Dennis Tedlock, and Susan Howe--cover topics that range from the performance styles of individual poets and types of poetry to the relation of sound to meaning, from historical and social approaches to poetry readings and to new imaginations of prosody. Such approaches are intended to encourage new forms of ""close listenings""--not only to the printed text of poems, but also to tapes, performances, and other expressions of the sounded word. With readings and ""spoken word"" events gaining an increasing audience for poetry, Close Listening provides an indispensable critical groundwork for understanding the importance of language in--and as--performance.
Full Product Details
Author: Charles Bernstein (David Gray Professor of Poetry and Letters, David Gray Professor of Poetry and Letters, State University of New York at Buffalo, USA)
Publisher: Oxford University Press Inc
Imprint: Oxford University Press Inc
Dimensions:
Width: 16.00cm
, Height: 3.00cm
, Length: 24.10cm
Weight: 0.771kg
ISBN: 9780195109917
ISBN 10: 0195109910
Pages: 400
Publication Date: 25 June 1998
Audience:
Professional and scholarly
,
Professional & Vocational
Format: Hardback
Publisher's Status: Active
Availability: To order
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Reviews
an area that is rapidly consolidating as a new field of study. * Sarah Parry, New Formations, 41 (Autumn 00). * Ilose Listenings ... charts new ground in the domains of formal literary acoustics and performance studies alike. * Sarah Parry, New Formations, 41 (Autumn 00). * break new ground in complex and highly useful ways. * Sarah Parry, New Formations, 41 (Autumn 00). *
an area that is rapidly consolidating as a new field of study. Sarah Parry, New Formations, 41 (Autumn 00). Ilose Listenings ... charts new ground in the domains of formal literary acoustics and performance studies alike. Sarah Parry, New Formations, 41 (Autumn 00). break new ground in complex and highly useful ways. Sarah Parry, New Formations, 41 (Autumn 00).
break new ground in complex and highly useful ways. * Sarah Parry, New Formations, 41 (Autumn 00). * Ilose Listenings ... charts new ground in the domains of formal literary acoustics and performance studies alike. * Sarah Parry, New Formations, 41 (Autumn 00). * an area that is rapidly consolidating as a new field of study. * Sarah Parry, New Formations, 41 (Autumn 00). *
