Overview

Spring 1876 . . . . When a bomb explodes and destroys a sawmill in Glenbrook Harbor, the residents and businessmen on the shores of Lake Tahoe are left reeling. Will Toal and his wife, Beth, are caught in the deadly, fiery fragments of the devastating explosion, and Beth is severely injured. Will gets Beth to the doctor and sets out to find those responsible. Once again, he is drawn back into the crosshairs of business barons clashing among themselves while competing for economic and political clout amid the sliver riches of the West. Will's been in this position before in earlier days, but this time, the big company money is out to get him-and the things just got personal. Will just wants those who hurt Beth brought to justice, but he must find out who's responsible for setting that blast-the first of many to come, if he figures right. With the timber business leveling the forests around Lake Tahoe, and the silver mines clamoring for the necessary wood, the arsonists could be working for anyone. Those who don't believe in the deforestation process will go to any length to save the woodlands, but those who need the jobs lumbering provides are just as determined. Ina race against time, Will is forced to work with an old nemesis, private investigator Dale Paris, to try to stop the arsonists and save the sawmills from disaster. Can they stop the bloodshed? At any price, Will is determined to have CLEAR CUT JUSTICE . . . .

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J.L. Crafts was raised on the outskirts of a very large city in Southern California. Thankfully, back in those days, the very distant outskirts of that city still included open spaces and small ranches. As a young boy, he worked wrangling horses on one of those ranches learning to rope, ride, and train one of the most magnificent animals our planet has to offer. Those early years created a lifelong connection with not only horses but with the West of the 1800's. College led to law school followed by over thirty years of trying cases to juries up and down the state of California. Speaking to juries in a simple directness, he did what he could to elicit facts and arguments wherever possible through stories of life in the saddle and open spaces. He now spends his days creating those stories on the page and enjoys every minute of it.

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