Claiming Diaspora: Music, Transnationalism, and Cultural Politics in Asian/Chinese America

Author:   Su Zheng (Associate Professor of Music and East Asian Studies, Associate Professor of Music and East Asian Studies, Wesleyan University)
Publisher:   Oxford University Press
ISBN:  

9780195134377


Pages:   448
Publication Date:   11 February 2010
Format:   Hardback
Availability:   To order   Availability explained
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Claiming Diaspora: Music, Transnationalism, and Cultural Politics in Asian/Chinese America


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Full Product Details

Author:   Su Zheng (Associate Professor of Music and East Asian Studies, Associate Professor of Music and East Asian Studies, Wesleyan University)
Publisher:   Oxford University Press
Imprint:   Oxford University Press
Dimensions:   Width: 23.60cm , Height: 3.30cm , Length: 16.00cm
Weight:   0.780kg
ISBN:  

9780195134377


ISBN 10:   0195134370
Pages:   448
Publication Date:   11 February 2010
Audience:   General/trade ,  General
Format:   Hardback
Publisher's Status:   Active
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

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Reviews

Su Zheng is an engaged musician / scholar in dialogue with the negotiated musics in Asian / Chinese America. She has lived and researched a range of genres and writes with deep knowledge of diasporic cultural practices. This is a sophisticated, important study full of local resonances and of transnational scales. --John Kuo Wei Tchen, New York University & Museum of Chinese in America From traditional Chinese music to contemporary jazz, Su Zheng moves seamlessly from the 19th to the 21st century to demonstrate that music is a powerful and vital cultural expression of the Asian/Chinese American disapora. --K. Scott Wong, Williams College Zheng's insightful and well-articulated work is firmly grounded in anthropological and ethnomusicological research, and proves to be an indispensable source for anyone in the field of Asian studies, as well as anyone interested in diasporic issues concerning Chinese American culture and music. --Notes Claiming Diaspora is an important contribution to the growing body of work examining the musical activities of Asian Americans...The excellent historical information and rich and moving ethnographic interviews will certainly please anyone interested in the struggles, triumphs, and sorrows of Chinese American musicians, but the critical advancement of the concept of diaspora strikes me as a crowning achievement. --Journal of the Society for American Music Provides numerous informative, thoughtful, and refreshing insights by analyzing Chinese American history and its musical culture in terms of diaspora and transnational connections. I would recommend the book to anyone who is interested in studying the issues of Chinese American identity, Chinese music, Chinese diaspora, or more generally diaspora, transnationalism and cultural identity. --World of Music


<br> Su Zheng is an engaged musician / scholar in dialogue with the negotiated musics in Asian / Chinese America. She has lived and researched a range of genres and writes with deep knowledge of diasporic cultural practices. This is a sophisticated, important study full of local resonances and of transnational scales. --John Kuo Wei Tchen, New York University & Museum of Chinese in America<br> From traditional Chinese music to contemporary jazz, Su Zheng moves seamlessly from the 19th to the 21st century to demonstrate that music is a powerful and vital cultural expression of the Asian/Chinese American disapora. --K. Scott Wong, Williams College<br>


an excellent historical overview of almost 150 years of music making and consumption among the Chinese in America * Dusana Miscevic and Peter Kwong, Journal of Asian Studies *


<br> Su Zheng is an engaged musician / scholar in dialogue with the negotiated musics in Asian / Chinese America. She has lived and researched a range of genres and writes with deep knowledge of diasporic cultural practices. This is a sophisticated, important study full of local resonances and of transnational scales. --John Kuo Wei Tchen, New York University & Museum of Chinese in America<p><br> From traditional Chinese music to contemporary jazz, Su Zheng moves seamlessly from the 19th to the 21st century to demonstrate that music is a powerful and vital cultural expression of the Asian/Chinese American disapora. --K. Scott Wong, Williams College<p><br> Zheng's insightful and well-articulated work is firmly grounded in anthropological and ethnomusicological research, and proves to be an indispensable source for anyone in the field of Asian studies, as well as anyone interested in diasporic issues concerning Chinese American culture and music. --Notes<p><br> Claiming Diaspora is an important contribution to the growing body of work examining the musical activities of Asian Americans...The excellent historical information and rich and moving ethnographic interviews will certainly please anyone interested in the struggles, triumphs, and sorrows of Chinese American musicians, but the critical advancement of the concept of diaspora strikes me as a crowning achievement. --Journal of the Society for American Music<p><br>


Author Information

Su Zheng is Associate Professor of Music and East Asian Studies at Wesleyan. She specializes in the music of China, Japan, and Asian America, as well as music and gender.

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