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OverviewFull Product DetailsAuthor: Su Zheng (Associate Professor of Music and East Asian Studies, Associate Professor of Music and East Asian Studies, Wesleyan University)Publisher: Oxford University Press Inc Imprint: Oxford University Press Inc Dimensions: Width: 15.60cm , Height: 2.30cm , Length: 23.40cm Weight: 0.621kg ISBN: 9780199873593ISBN 10: 0199873593 Pages: 448 Publication Date: 01 March 2012 Audience: General/trade , General Format: Paperback Publisher's Status: Active Availability: Manufactured on demand ![]() We will order this item for you from a manufactured on demand supplier. Table of Contents"Figures Tables Musical Examples Technical Notes Acknowledgments 1. Introduction 2. The Formation of a Diasporic Musical Culture as a Site of Contradiction 3. New York and the Transpacific Routes: Music in the Racialized History of Chinese American Experience 4. Music Here and Now: A Diasporic Soundscape in a Global City 5. From Private Realm to Public Display of Multiculturalism: Mapping the Local Geocultural Processes of Music Production, Consumption, and (Re)Presentations 6. ""Our Goal Is to Be in Sync with Other Areas of the World"": Transnational Media Culture and Popular Music 7. The Poetics and Politics of Displacement: Portraits of Seven Immigrant Musicians 8. The Ambiguities of Cultural Politics in Asian/Chinese American Music Discourse Notes Appendix I. Chinese American Musical Groups in the New York/New Jersey/Greater New York Metropolitan Area Appendix II. Sheung Chi Ng's Taishan Muyu Song Repertories Appendix III. Complete Chinese Texts of Poems and Lyrics Cited Glossary Bibliography Discography Filmography Index"ReviewsSu Zheng is an engaged musician / scholar in dialogue with the negotiated musics in Asian / Chinese America. She has lived and researched a range of genres and writes with deep knowledge of diasporic cultural practices. This is a sophisticated, important study full of local resonances and of transnational scales. --John Kuo Wei Tchen, New York University & Museum of Chinese in America From traditional Chinese music to contemporary jazz, Su Zheng moves seamlessly from the 19th to the 21st century to demonstrate that music is a powerful and vital cultural expression of the Asian/Chinese American disapora. --K. Scott Wong, Williams College Zheng's insightful and well-articulated work is firmly grounded in anthropological and ethnomusicological research, and proves to be an indispensable source for anyone in the field of Asian studies, as well as anyone interested in diasporic issues concerning Chinese American culture and music. --Notes Claiming Diaspora is an important contribution to the growing body of work examining the musical activities of Asian Americans...The excellent historical information and rich and moving ethnographic interviews will certainly please anyone interested in the struggles, triumphs, and sorrows of Chinese American musicians, but the critical advancement of the concept of diaspora strikes me as a crowning achievement. --Journal of the Society for American Music Provides numerous informative, thoughtful, and refreshing insights by analyzing Chinese American history and its musical culture in terms of diaspora and transnational connections. I would recommend the book to anyone who is interested in studying the issues of Chinese American identity, Chinese music, Chinese diaspora, or more generally diaspora, transnationalism and cultural identity. --World of Music <br> Su Zheng is an engaged musician / scholar in dialogue with the negotiated musics in Asian / Chinese America. She has lived and researched a range of genres and writes with deep knowledge of diasporic cultural practices. This is a sophisticated, important study full of local resonances and of transnational scales. --John Kuo Wei Tchen, New York University & Museum of Chinese in America<p><br> From traditional Chinese music to contemporary jazz, Su Zheng moves seamlessly from the 19th to the 21st century to demonstrate that music is a powerful and vital cultural expression of the Asian/Chinese American disapora. --K. Scott Wong, Williams College<p><br> Zheng's insightful and well-articulated work is firmly grounded in anthropological and ethnomusicological research, and proves to be an indispensable source for anyone in the field of Asian studies, as well as anyone interested in diasporic issues concerning Chinese American culture and music. --Notes<p><br> Claiming Diaspora is an important contribution to the growing body of work examining the musical activities of Asian Americans...The excellent historical information and rich and moving ethnographic interviews will certainly please anyone interested in the struggles, triumphs, and sorrows of Chinese American musicians, but the critical advancement of the concept of diaspora strikes me as a crowning achievement. --Journal of the Society for American Music<p><br> Su Zheng is an engaged musician / scholar in dialogue with the negotiated musics in Asian / Chinese America. She has lived and researched a range of genres and writes with deep knowledge of diasporic cultural practices. This is a sophisticated, important study full of local resonances and of transnational scales. * John Kuo Wei Tchen, New York University & Museum of Chinese in America * <br> Su Zheng is an engaged musician / scholar in dialogue with the negotiated musics in Asian / Chinese America. She has lived and researched a range of genres and writes with deep knowledge of diasporic cultural practices. This is a sophisticated, important study full of local resonances and of transnational scales. --John Kuo Wei Tchen, New York University & Museum of Chinese in America<p><br> From traditional Chinese music to contemporary jazz, Su Zheng moves seamlessly from the 19th to the 21st century to demonstrate that music is a powerful and vital cultural expression of the Asian/Chinese American disapora. --K. Scott Wong, Williams College<p><br> Zheng's insightful and well-articulated work is firmly grounded in anthropological and ethnomusicological research, and proves to be an indispensable source for anyone in the field of Asian studies, as well as anyone interested in diasporic issues concerning Chinese American culture and music. --Notes<p><br> Claiming Diaspora is an im Author InformationSu Zheng is Associate Professor and Chair of Music, as well as Associate Professor of East Asian Studies, at Wesleyan University. She is also a Visiting Professor at the Shanghai Conservatory of Music, China. Tab Content 6Author Website:Countries AvailableAll regions |