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OverviewFull Product DetailsAuthor: E. DecampPublisher: Palgrave Macmillan Imprint: Palgrave Macmillan Edition: 1st ed. 2016 Dimensions: Width: 14.80cm , Height: 1.80cm , Length: 21.00cm Weight: 4.679kg ISBN: 9781137471550ISBN 10: 1137471557 Pages: 277 Publication Date: 08 March 2016 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Manufactured on demand ![]() We will order this item for you from a manufactured on demand supplier. Table of ContentsAcknowledgements Abbreviations and Conventions Introduction: Naming of Parts: Barber, Surgeon and Barber-Surgeon 1. 'Settinge up a shoppe': Inventories and Props 2. 'Lend me thy basin, apron and razor': Disguise, (Mis)Appropriation and Play 3. Semiotics of Barber-Surgery in Shakespeare: Chair and Basin 4. 'And pleasant harmonie shall sound in your eares': Ballads, Music and Groans, Snip-snaps, Fiddlesticks, Ear-picks and Wax 5. 'An unnecessary flood of words'? Epilogue Notes Bibliography IndexReviews“The book provides a compelling new study of the complexities and performance of early modern barbering and the panoply of meanings that could be attached not only to the individuals themselves, but to their shops, practices and tools. It will make an important and welcome contribution to both the literary and medical histories of this sometimes neglected group of practitioners.” (Alun Withey, Gesnerus, Vol. 75 (2), 2018) “Decamp’s thorough and erudite book will not only train readers to notice both barbers and surgeons in early modern drama and early modern English culture more generally. It also tunes our ears, as barbers might have, to the complex, historically specific resonances of objects (such as basins), words (including ‘trim’ and ‘barbarous’), and names including Lavinia (associated with washing) and Chiron (who shares with the chirurgeon a root in the Greek word for hand).” (Frances E. Dolan, Medical History, Vol. 61 (2), April, 2017) Decamp's thorough and erudite book will not only train readers to notice both barbers and surgeons in early modern drama and early modern English culture more generally. It also tunes our ears, as barbers might have, to the complex, historically specific resonances of objects (such as basins), words (including `trim' and `barbarous'), and names including Lavinia (associated with washing) and Chiron (who shares with the chirurgeon a root in the Greek word for hand). (Frances E. Dolan, Medical History, Vol. 61 (2), April, 2017) The book provides a compelling new study of the complexities and performance of early modern barbering and the panoply of meanings that could be attached not only to the individuals themselves, but to their shops, practices and tools. It will make an important and welcome contribution to both the literary and medical histories of this sometimes neglected group of practitioners. (Alun Withey, Gesnerus, Vol. 75 (2), 2018) Decamp's thorough and erudite book will not only train readers to notice both barbers and surgeons in early modern drama and early modern English culture more generally. It also tunes our ears, as barbers might have, to the complex, historically specific resonances of objects (such as basins), words (including 'trim' and 'barbarous'), and names including Lavinia (associated with washing) and Chiron (who shares with the chirurgeon a root in the Greek word for hand). (Frances E. Dolan, Medical History, Vol. 61 (2), April, 2017) Author InformationEleanor Decamp completed her doctorate in English Literature at the University of Oxford, UK. This is her first monograph. She is co-convenor of The Blood Project, an investigation into Medieval and Renaissance theories of blood. Tab Content 6Author Website:Countries AvailableAll regions |