Citing Shakespeare: The Reinterpretation of Race in Contemporary Literature and Art

Author:   P. Erikson
Publisher:   Palgrave USA
Edition:   2008 ed.
ISBN:  

9781403970541


Pages:   214
Publication Date:   13 March 2008
Format:   Hardback
Availability:   In Print   Availability explained
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Citing Shakespeare: The Reinterpretation of Race in Contemporary Literature and Art


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Overview

Focusing on Shakespeare and race, this book addresses the status of Othello in our culture. Erickson shows that contemporary writers' revisions of Shakespeare can have a political impact on our vision of America.

Full Product Details

Author:   P. Erikson
Publisher:   Palgrave USA
Imprint:   Palgrave Macmillan
Edition:   2008 ed.
Dimensions:   Width: 14.00cm , Height: 1.80cm , Length: 21.60cm
Weight:   0.721kg
ISBN:  

9781403970541


ISBN 10:   1403970548
Pages:   214
Publication Date:   13 March 2008
Audience:   Professional and scholarly ,  College/higher education ,  Professional & Vocational ,  Postgraduate, Research & Scholarly
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Reviews

Erickson's Citing Shakespeare examines the complex, sometimes ambivalent and even combustive relationship between artists of the African Diaspora and Shakespeare's language, texts and image. From Rita Dove's poetry to Ishmael Reed's novels to the visual art of Fred Wilson, we see that Shakespearean citation is one of several techniques used by these virtuosos to defamiliarize, defy reader expectation, create culture, reverse the flows of power, and just plain play. Erickson's expanded framework for citation allows for the multiple languages that these artists use to ' speak' to Shakespeare, including word, character, history, bodies, and the light, shadow, gloss and heft of the visual image. Citing Shakespeare is a blueprint for a more expansive and inclusive Shakespeare Studies, one which shows serious political and scholarly commitment to interrogations of race, gender and nationhood, which engages learnedly the insights of multiple disciplines and traditions, and which asks difficult questions about Shakespeare's continuing function as a site of cultural power. --Francesca Royster, Associate Professor of English and Associate Dean of Undergraduate Studies, College of Liberal Arts and Sciences, DePaul University


Erickson's Citing Shakespeare examines the complex, sometimes ambivalent and even combustive relationship between artists of the African Diaspora and Shakespeare's language, texts and image. From Rita Dove's poetry to Ishmael Reed's novels to the visual art of Fred Wilson, we see that Shakespearean citation is one of several techniques used by these virtuosos to defamiliarize, defy reader expectation, create culture, reverse the flows of power, and just plain play. Erickson's expanded framework for citation allows for the multiple languages that these artists use to 'speak' to Shakespeare, including word, character, history, bodies, and the light, shadow, gloss and heft of the visual image. Citing Shakespeare is a blueprint for a more expansive and inclusive Shakespeare Studies, one which shows serious political and scholarly commitment to interrogations of race, gender and nationhood, which engages learnedly the insights of multiple disciplines and traditions, and which asks difficult questions about Shakespeare's continuing function as a site of cultural power. --Francesca Royster, Associate Professor of English and Associate Dean of Undergraduate Studies, College of Liberal Arts and Sciences, DePaul University


Erickson's Citing Shakespeare examines the complex, sometimes ambivalent and even combustive relationship between artists of the African Diaspora and Shakespeare's language, texts and image. From Rita Dove's poetry to Ishmael Reed's novels to the visual art of Fred Wilson, we see that Shakespearean citation is one of several techniques used by these virtuosos to defamiliarize, defy reader expectation, create culture, reverse the flows of power, and just plain play. Erickson's expanded framework for citation allows for the multiple languages that these artists use to 'speak' to Shakespeare, including word, character, history, bodies, and the light, shadow, gloss and heft of the visual image. Citing Shakespeare is a blueprint for a more expansive and inclusive Shakespeare Studies, one which shows serious political and scholarly commitment to interrogations of race, gender and nationhood, which engages learnedly the insights of multiple disciplines and traditions, and which asks diff


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PETER ERICKSON is an independent scholar.

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