Circus, Science and Technology: Dramatising Innovation

Author:   Anna-Sophie Jürgens
Publisher:   Springer Nature Switzerland AG
Edition:   1st ed. 2020
ISBN:  

9783030432973


Pages:   189
Publication Date:   23 June 2020
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
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Circus, Science and Technology: Dramatising Innovation


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Author:   Anna-Sophie Jürgens
Publisher:   Springer Nature Switzerland AG
Imprint:   Springer Nature Switzerland AG
Edition:   1st ed. 2020
Weight:   0.454kg
ISBN:  

9783030432973


ISBN 10:   3030432971
Pages:   189
Publication Date:   23 June 2020
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

1. Chapter 1: Circus Matters: Engineering, Imagineering and Popular Stages of Technology: Introduction; Anna-Sophie Jürgens.- 2. Chapter 2: Engineers of Curiosity: the Barnum Era; Jane Goodall.- 3. Chapter 3: Unreal Limbs: Erin Ball and The Extended Body in Contemporary Circus; Katie Lavers and Jon Burtt, with Erin Ball.- 4. Chapter 4: Circus as Laboratory: Imagineering Legitimacy; Mark St Leon.- 5. Chapter 5: Circus and Electricity: Staging Connexions between Science and Popular Entertainments; Gillian Arrighi.- 6. Chapter 6: Technologies of Risk, Fear and Fun: Human and Nonhuman Circus Performance; Peta Tait.- 7. Chapter 7: The Circus and the Magic Lantern: A Portfolio of Hand-Painted Mechanical Magic Lantern Slides; Martyn Jolly and Elisa deCourcy.- 8. Chapter 8: The Circus and Technologies of Animation; Ruth Richards.- 9. Chapter 9: Engineering Circus Enchantment: Automagic Technology and Electrifying Performances in Fiction; Anna-Sophie Jürgens and Robert C. Williamson.

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Anna-Sophie Jürgens is an Assistant Professor at the Australian National Centre for the Public Awareness of Science. She was an Alexander-von-Humboldt Fellow at the Australian National University, Australia, and the Free University of Berlin, Germany, from 2017 to 2020. Her research draws upon circus fiction, the history of (violent) clowns, and comic performance and technology in culture.

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