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OverviewFull Product DetailsAuthor: Tiny Kline , Janet M. DavisPublisher: University of Illinois Press Imprint: University of Illinois Press Dimensions: Width: 15.60cm , Height: 2.80cm , Length: 23.50cm Weight: 0.708kg ISBN: 9780252033124ISBN 10: 0252033124 Pages: 376 Publication Date: 18 June 2008 Audience: General/trade , General Format: Hardback Publisher's Status: Active Availability: To order ![]() Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Table of Contents"Acknowledgments / ix Introduction -- Janet M. Davis / 1 Author's Note / 33 Prologue / 35 PART ONE 1. The Bend in the Road / 41 2. As Mrs. Private Citizen, Viewing the Parade / 57 3. A Flight on Gossamer Wings / 62 4. In Pursuit of a Mirage to Yesterday / 75 5. A Tour behind the Platforms of Those Strange People / 86 6. Destiny Smiles, but Not on Shmoontsie / 99 7. A New Leaf, a New Life / 105 8. Where Caste Is Observed, According to Rank and Rating / 117 9. Equestrian Director Par Excellence / 143 10. The Awe-Inspiring Mr. John / 147 11. Calibrating for a Career / 150 12. Bareback: The Aristocrat of Circus Acts / 155 13. A Backdoor Glimpse of Supermen and Superwomen / 161 14. Elephants Are Like People / 172 15. Engineering the White City / 177 16. Finding the Lot -- A Daily Headache / 187 17. On the Sunny Side / 189 18. Life under the Big Top: Private, Social, Competitive / 193 19. Finale of the Season / 196 20. Circus Experience Pays Off / 198 21. An Annual Season's Opening / 203 22. Leitzel, Queen of the Air -- Of the Ground as Well / 208 23. Progress, Trends, and Customs Typical of Circus Folks / 214 24. On a Magic Carpet to a Land Fantastic / 221 25. Back to the Material World / 229 26. An Act Is Born / 234 27. Circus History Is Made: Merging ""The Greatest Show on Earth"" and ""The World's Greatest Show,"" Thereafter to Be Known as ""Ringling Bros, and Barnum & Bailey Combined Shows"" / 237 28. Pride versus Virtue / 246 29. Misery -- Like Death -- Knows No Class Distinction / 255 30. Fate Follows Her Course -- Strange, Mysterious, Terrifying / 258 PART TWO 31. Sarasota -- Last Stop / 271 32. An Elucidating Interlude / 288 PART THREE 33. The Circus, to Date (1948) / 293 Epilogue: The Show -- The Public -- Unto the End / 311 Appendix A: Superstitions / 313 Notes / 315 Index / 353 "ReviewsWith this indispensible volume, Davis again demonstrates how the study of circus in particular and popular culture in general can enrich understanding of the world... Highly recommended. --Choice Kline's fascinating story provides remarkably vivid descriptions of the day-to-day life of performers on the circus circuit and glimpses of well-known entertainment figures. Davis deftly places Tiny Kline's story amongst important questions about the role of popular amusements in class formation and Americanization of immigrant populations; about the meaning of bodily display and the exceptional body; and about early twentieth-century gender roles and transgressions. --Joy S. Kasson, author of Buffalo Bill's Wild West: Celebrity, Memory, and Popular History It was great fun reading Tiny Kline's fascinating and quirky story of the circus. There is nothing quite like her insider account. I found myself getting wrapped up in her personal descriptions and in the vagaries that confronted her both in and out of the entertainment profession. Her insights are crucial in understanding several important transitions in circus history. --Don B. Wilmeth, editor of The Cambridge Guide to American Theatre, 2nd edition It was great fun reading Tiny Kline's fascinating and quirky story of the circus. There is nothing quite like her insider account. I found myself getting wrapped up in her personal descriptions and in the vagaries that confronted her both in and out of the entertainment profession. Her insights are crucial in understanding several important transitions in circus history. --Don B. Wilmeth, editor of The Cambridge Guide to American Theatre, 2nd edition Kline's fascinating story provides remarkably vivid descriptions of the day-to-day life of performers on the circus circuit and glimpses of well-known entertainment figures. Davis deftly places Tiny Kline's story amongst important questions about the role of popular amusements in class formation and Americanization of immigrant populations; about the meaning of bodily display and the exceptional body; and about early twentieth-century gender roles and transgressions. --Joy S. Kasson, author of Buffalo Bill's Wild West: Celebrity, Memory, and Popular History With this indispensible volume, Davis again demonstrates how the study of circus in particular and popular culture in general can enrich understanding of the world... Highly recommended. --Choice It was great fun reading Tiny Kline's fascinating and quirky insider account of the circus. I found myself getting wrapped up in her personal descriptions and in the vagaries that confronted her both in and out of the entertainment profession. Her insights are crucial in understanding several important transitions in circus history. Don B. Wilmeth, editor of The Cambridge Guide to American Theatre, 2nd edition Kline's fascinating story provides remarkably vivid descriptions of performers and well-known entertainment figures. Davis deftly places Tiny Kline's story amongst important questions about the role of popular amusements in class formation and Americanization of immigrant populations; about the meaning of bodily display and the exceptional body; and about early twentieth-century gender roles and transgressions. Joy S. Kasson, author of Buffalo Bill's Wild West: Celebrity, Memory, and Popular History Author InformationJanet M. Davis is an associate professor of American studies and history at the University of Texas, Austin, and the author of The Circus Age: Culture and Society under the American Big Top. Tab Content 6Author Website:Countries AvailableAll regions |