Overview

The issue of cinematic realism is important because the issue of realism, of the relationship between representation and reality, is important. If some forms of representation are closer to reality however defined than others, then this may also be the case with forms of filmic representation. In this book, Ian Aitken links the issue of cinematic realism to important questions concerning human experience, analysing the close similarity between the film image and visual perception, and how different theories of realism have sought to uncover the way film's relation to reality can be understood. Focusing on the writings of Georg Lukcs and Siegfried Kracauer, Cinematic Realism is a comprehensive exploration of cinematic realist theory.

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9781474441346

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Reviews

For decades Ian Aitken has been thinking deeply about cinematic realism, working tirelessly to interrogate the fundamental premises and limitations of previous theories of representation and reality. This latest book presents the apogee of his thinking, revealing via a series of intense readings of Lukács and Kracauer the implicit philosophical assumptions, methods, and problems behind their theoretical systems.--Warren Buckland, Oxford Brookes University

For decades Ian Aitken has been thinking deeply about cinematic realism, working tirelessly to interrogate the fundamental premises and limitations of previous theories of representation and reality. This latest book presents the apogee of his thinking, revealing via a series of intense readings of Luk�cs and Kracauer the implicit philosophical assumptions, methods, and problems behind their theoretical systems.--Warren Buckland, Oxford Brookes University

Author Information

Ian Aitken was a chair professor, and is now an Emeritus Professor, affiliated to Hong Kong Baptist University. His areas of expertise lie in British documentary film studies, the British official film in South-East Asia, and theories of cinematic realism. His most recent book publications include Cinematic Realism (2020), The Major Realist Film Theorists (ed.), The British Official Film in South-East Asia (2016), and The Colonial Documentary Film in South and South-East Asia (2016).

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