Overview

Explores the philosophical, literary, and psychoanalytic significance of film endings.

Full Product Details

Author:   Sheila Kunkle
Publisher:   State University of New York Press
Imprint:   State University of New York Press
Dimensions:   Width: 15.20cm , Height: 2.50cm , Length: 22.90cm
Weight:   0.227kg
ISBN:  

9781438461373

ISBN 10:   1438461372
Pages:   304
Publication Date:   01 July 2016
Audience:   General/trade ,  General
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

"Preface Acknowledgments Introduction: On the Subject of Endings Sheila Kunkle 1. Resolution, Truncation, Glitch 19 Hugh S. Manon 2. The Banality of Trauma: Claire Denis's Bastards and the Anti-Ending Hilary Neroni 3. The Greatest Trick the Devil Ever Played: Desire, Drive, and the Twist Ending Ryan Engley 4. Retroactive Rupture: The Place of the Subject in Jane Campion's In the Cut Fabio Vighi 5. Love, Loss, Endings, and Beginnings: A Psychoanalysis of Rust and Bone Juan Pablo Lucchelli 6. Cinematic Ends: The Ties that Unbind in Claire Denis's White Material Jennifer Friedlander 7. When One Becomes Two: The Ending of Catfish Rex Butler 8. The Satisfaction of an Ending Todd McGowan 9. The Too Realistic Cut: Gaze as Overconformity in Blue Velvet Henry Krips 10. The End of Fantasy as We Know It: Her and the Vanishing Mediator of the Voice in Film Sheila Kunkle 11. Melancholia, an Alternative to the End of the World: A Reading of Lars von Trier's Film David Denny 12. Cut or Time and American Cinema of Thought-Affect: Cuts of Failure in John Huston's Fat City A. Kiarina Kordela 13. The End of (Self) Analysis: The End of Kurosawa's High and Low Brian Wall 14. The Final Failure in The Dark Knight Rises Slavoj Zizek 15. The [""End""] jan jagodzinski Contributors Index"

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Author Information

Sheila Kunkle is Associate Professor of Individualized Studies at Metropolitan State University and the coeditor (with Todd McGowan) of Lacan and Contemporary Film.

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