Cinematic Art and Reversals of Power: Deleuze via Blanchot

Author:   Eugene B. Young (Le Moyne College, Syracuse, USA)
Publisher:   Bloomsbury Publishing PLC
ISBN:  

9781350272408


Pages:   344
Publication Date:   24 August 2023
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
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Cinematic Art and Reversals of Power: Deleuze via Blanchot


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Overview

Bringing together Deleuze, Blanchot, and Foucault, this book provides a detailed and original exploration of the ideas that influenced Deleuze's thought leading up to and throughout his cinema volumes and, as a result, proposes a new definition of art. Examining Blanchot's suggestion that art and dream are “outside” of power, as imagination has neither reality nor truth, and Foucault's theory that power forms knowledge by valuing life, Eugene Brent Young relates these to both Deleuze's philosophy of time and his work with Guattari on art. In doing so, he uses case studies from literature and popular film, including Kafka's Castle, Villeneuve's Arrival, and Kubrick's Eyes Wide Shut. Providing important new insights for those working in literary and cinematic studies, this book advances a new definition of art as that which reverses the realities and truths of power to express obscure ideas and values beyond both our exterior and interior worlds.

Full Product Details

Author:   Eugene B. Young (Le Moyne College, Syracuse, USA)
Publisher:   Bloomsbury Publishing PLC
Imprint:   Bloomsbury Academic
Dimensions:   Width: 15.60cm , Height: 2.50cm , Length: 23.40cm
Weight:   0.454kg
ISBN:  

9781350272408


ISBN 10:   135027240
Pages:   344
Publication Date:   24 August 2023
Audience:   College/higher education ,  Professional and scholarly ,  Tertiary & Higher Education ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Introduction: How the True World Finally Became a Bad Film PART ONE: Power and the Outside I. Power and the (In)Visible: Foucault and Deleuze II: From Menace to Passion in Blanchot & Deleuze: ‘The Sovereignty of the Void’ & Experience of the Imaginary III. Dreams: The Eclipse of the Day & its Incessant Return PART TWO: Art, Literature, & Ideas IV. The Conceptual Composition of the Work of Art: Chaos & the Outside V. Literature’s Radical Reversal: from Absence of Origin to Deterritorialized Future VI. Kafka’s Castle: A Case Study—Conceptual Inexistence & Obscure Value PART THREE: Cinema VII. Cinematic Worlds of Truth and Reality: Deleuze’s Movement Image via Foucault VIII. Radical Reversals of Cinematic Art: The Dissociative Force of Blanchot’s Outside in Deleuze’s Time-Image IX. “Is Anyone Seeing This?” Conclusion: Artistic Fiction and the Thought of Eternal Return

Reviews

Young uses the work of Deleuze and Blanchot to offer a new theory of literature and cinema, one that removes us from the political snares of our current situation to an outside that is not just another trap. His book is a deep read and an original contribution. * Todd May, Class of 1941 Memorial Professor of the Humanities, Clemson University, USA * If you have thought, as I have, that Blanchot is the key to understanding Deleuze, then you must read this book. There is no other that better explains the importance of Blanchot to appreciate Deleuze's interpretation of art, literature, and cinema, whose aim is to make us believe in the world again beyond the limited possibilities given to us by power. * William Large, Associate Professor in Continental Philosophy, University of Gloucestershire, UK *


Young uses the work of Deleuze and Blanchot to offer a new theory of literature and cinema, one that removes us from the political snares of our current situation to an outside that is not just another trap. His book is a deep read and an original contribution. --Todd May, Class of 1941 Memorial Professor of the Humanities, Clemson University, USA If you have thought, as I have, that Blanchot is the key to understanding Deleuze, then you must read this book. There is no other that better explains the importance of Blanchot to appreciate Deleuze's interpretation of art, literature, and cinema, whose aim is to make us believe in the world again beyond the limited possibilities given to us by power. --William Large, Associate Professor in Continental Philosophy, University of Gloucestershire, UK


Author Information

Eugene B. Young is Professor of Practice in Philosophy and English at Le Moyne College, Syracuse, USA. He is the primary author and editor of The Deleuze and Guattari Dictionary (Bloomsbury, 2013).

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