Cinema of the Arab World: Contemporary Directions in Theory and Practice

Author:   Terri Ginsberg ,  Chris Lippard
Publisher:   Springer Nature Switzerland AG
Edition:   2020 ed.
ISBN:  

9783030300807


Pages:   422
Publication Date:   04 March 2020
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
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Cinema of the Arab World: Contemporary Directions in Theory and Practice


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Author:   Terri Ginsberg ,  Chris Lippard
Publisher:   Springer Nature Switzerland AG
Imprint:   Springer Nature Switzerland AG
Edition:   2020 ed.
Weight:   0.889kg
ISBN:  

9783030300807


ISBN 10:   3030300803
Pages:   422
Publication Date:   04 March 2020
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Reviews

One of the many merits of this volume is that it approaches cinema in its sociohistorical dimension, thus shedding as much light on the circumstances (social, historical, economic, etc.) under which films are produced and consumed as on the films themselves. ... The contributions in this collection present a series of possibilities and case studies in how to approach a field that remains both understudied and oversimplified ... . (Carla Marcantonio, Film Quarterly, Winter, 2020)


Author Information

Terri Ginsberg is Assistant Professor of Film at The American University in Cairo, Egypt. She is co-author of Historical Dictionary of Middle Eastern Cinema; author of Visualizing the Palestinian Struggle and Holocaust Film: The Political Aesthetics of Ideology; and co-editor of Perspectives on German Cinema and A Companion to German Cinema.   Chris Lippard is Associate Professor and Director of Graduate Studies in the Department of Film and Media Arts at the University of Utah, USA. He is co-author of the Historical Dictionary of Middle Eastern Cinema and has recently published articles on contemporary Iranian cinema and on Anthony Mann’s Devil’s Doorway.

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