Cinema in an Age of Terror: North Africa, Victimization, and Colonial History

Author:   Michael F. O'Riley
Publisher:   University of Nebraska Press
ISBN:  

9780803228092


Pages:   208
Publication Date:   01 June 2010
Format:   Hardback
Availability:   In Print   Availability explained
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Cinema in an Age of Terror: North Africa, Victimization, and Colonial History


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Overview

Cinema in an Age of Terror looks at how cinematic representations of colonial-era victimization inform our understanding of the contemporary age of terror. By examining works representing colonial history and the dynamics of spectatorship emerging from them, Michael F. O'Riley reveals how the centrality of victimization in certain cinematic representations of colonial history can help us understand how the desire to occupy the victim's position is a dangerous and blinding drive that frequently plays into the vision of terrorism. Films such as The Battle of Algiers, Days of Glory, Cache, and recent works by Maghrebien filmmakers all exemplify, in different ways, how this focus on victimization can become a problematic perspective-one in fact seeking to occupy ideological territory. Their return of colonial history to our contemporary context, although frequently problematic, enables us to see how victimization is very much about territory-cultural, spatial, and ideological-and how resistance to new forms of imperialist warfare and terror today must be located outside these haunting images from colonial history. Although such images of victimization ultimately only return as spectacular acts that draw our attention away from the cyclical contest over territory that they embody, those images nonetheless have the last word. Michael F. O'Riley is an associate professor of French and Italian at Colorado College. He is the author of Francophone Culture and the Postcolonial Fascination with Ethnic Crimes and Colonial Aura and Postcolonial Haunting and Victimization: Assia Djebar's New Novels.

Full Product Details

Author:   Michael F. O'Riley
Publisher:   University of Nebraska Press
Imprint:   University of Nebraska Press
Dimensions:   Width: 14.00cm , Height: 2.30cm , Length: 21.60cm
Weight:   0.363kg
ISBN:  

9780803228092


ISBN 10:   0803228090
Pages:   208
Publication Date:   01 June 2010
Audience:   College/higher education ,  Postgraduate, Research & Scholarly
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Acknowledgments Introduction 1. Resuscitating the Battle of Algiers: The Politics of Race in the War on Iraq 2. Mapping National Identity and Unrealized Union: Rachid Bouchareb's Indigènes 3. Hidden Maps of Victimization: The Haunting Key to Colonial Victimization in Caché 4. Creating an Old Maghreb: Beur Cinema and East-West Polarities 5. Colonial Cinema and the Aesthetics of Postcolonial Victimization: Pépé le Moko and Assia Djebar's La Disparition de la langue française Conclusion Notes Works Cited Index

Reviews

A very thoughtful book which deserves to be read both widely and attentively. -Philip Dine, H-France Review


""""A very thoughtful book which deserves to be read both widely and attentively.""""—Philip Dine, H-France Review


"""A very thoughtful book which deserves to be read both widely and attentively.""—Philip Dine, H-France Review "


A very thoughtful book which deserves to be read both widely and attentively. --Philip Dine, H-France Review<br><br> --Philip Dine H-France Review


Author Information

Michael F. O’Riley is an associate professor of French and Italian at Colorado College. He is the author of Francophone Culture and the Postcolonial Fascination with Ethnic Crimes and Colonial Aura and Postcolonial Haunting and Victimization: Assia Djebar’s New Novels.

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