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OverviewCinema before the World investigates the transnational origins of filmmaking by focusing on a case study in world cinema – the 1896-1897 voyage of one of the Lumière Brothers camera operators, Alexandre Promio, across North Africa and the Middle East. The book shows how the sites in these early films are not simply backdrops, but integral to film form and its global history. Connecting a series of filmic principles (framing, tracking shots, close-ups) to the sites where they are made visible (a rooftop in Algiers, a train station and the Jaffa Gate in Jerusalem), Allan unsettles a familiar narrative of imperial vision. In the interplay of local history and global media, he highlights tensions between ethnography, observation, and visual capture, revealing how the Lumière Brothers films persist as living archives. The book evokes a formative moment when cinema stood before the world – both as a technological marvel and as a medium that shaped how space and time were perceived. Tracing a journey from Algeria to Egypt and Palestine, and moving across media from lithography to photography and panoramas, Allan shows how in the hands of later filmmakers, such as Egyptian director Youssef Chahine and the Syrian collective Abounaddara, the Lumière films continue to enrich and inform visions of what cinema – and the world – can be. Cinema before the World offers a critical historical intervention in the global story of the cinematograph and a visionary method for film scholarship grounded in transnational analysis across languages, regions, and media. Full Product DetailsAuthor: Michael AllanPublisher: Fordham University Press Imprint: Fordham University Press ISBN: 9781531514044ISBN 10: 1531514049 Pages: 240 Publication Date: 27 February 2026 Audience: College/higher education , Postgraduate, Research & Scholarly Format: Paperback Publisher's Status: Active Availability: Not yet available This item is yet to be released. You can pre-order this item and we will dispatch it to you upon its release. Table of ContentsReviews""Early 'travelogue' films are often perceived as static: at worst Orientalist clichés, at best indexical witnesses. In contrast, Allan conceives of the Lumières' films from cities like Cairo and Jerusalem as in motion, in relation, inexhaustible: worthy of being the origin moments of a decolonized world cinema.""---Laura Marks, Simon Fraser University ""In this boldly original work Michael Allan scrutinizes films of the Middle East shot by Alexandre Promio for the Lumiére company in 1897. Analyzed formally and in terms of their historical and cultural significance, these films, lasting less than a minute, reveal the promise of a world cinema yet to be fulfilled.""---Tom Gunning, University of Chicago ""In this boldly original work Michael Allan scrutinizes films of the Middle East shot by Alexandre Promio for the Lumière company in 1897. Analyzed formally and in terms of their historical and cultural significance, these films, lasting less than a minute, reveal the promise of a world cinema yet to be fulfilled.""---Tom Gunning, University of Chicago ""Early 'travelogue' films are often perceived as static: at worst Orientalist clichés, at best indexical witnesses. In contrast, Allan conceives of the Lumières' films from cities like Cairo and Jerusalem as in motion, in relation, inexhaustible: worthy of being the origin moments of a decolonized world cinema.""---Laura Marks, Simon Fraser University ""In this boldly original work Michael Allan scrutinizes films of the Middle East shot by Alexandre Promio for the Lumière company in 1897. Analyzed formally and in terms of their historical and cultural significance, these films, lasting less than a minute, reveal the promise of a world cinema yet to be fulfilled."" - Tom Gunning, University of Chicago ""Early ‘travelogue’ films are often perceived as static: at worst Orientalist clichés, at best indexical witnesses. In contrast, Allan conceives of the Lumières’ films from cities like Cairo and Jerusalem as in motion, in relation, inexhaustible: worthy of being the origin moments of a decolonized world cinema."" - Laura Marks, Simon Fraser University Author InformationMichael Allan is Associate Professor of Comparative Literature and Cinema Studies at the University of Oregon. He is the author of In the Shadow of World Literature: Sites of Reading in Colonial Egypt (Princeton, 2016, winner, MLA First Book Prize) and serves as editor of the journal Comparative Literature. Tab Content 6Author Website:Countries AvailableAll regions |
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