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OverviewFull Product DetailsAuthor: Nicholas GaskillPublisher: University of Minnesota Press Imprint: University of Minnesota Press Dimensions: Width: 14.00cm , Height: 3.80cm , Length: 21.60cm ISBN: 9781517903497ISBN 10: 1517903491 Pages: 320 Publication Date: 25 December 2018 Audience: General/trade , Professional and scholarly , General , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Temporarily unavailable ![]() The supplier advises that this item is temporarily unavailable. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out to you. Table of ContentsIntroduction: How Color Became Modern 1. The Place of Perception: Local Color’s Colors 2. Charlotte Perkins Gilman and the Progressive Arts of Pure Color 3. The Production and Consumption of a Child’s View of Color 4. Lurid Realism: Stephen Crane, Gertrude Stein, and the Synthesis of Modernism 5. On Feeling Colorful and Colored in the Harlem Renaissance Epilogue: Albers after the Color Sense Acknowledgments Notes Bibliography IndexReviewsWhat happened when chemists invented mauve? When The Wonderful Wizard of Oz taught us childhood meant colorfulness? When Stephen Crane painted courage red? In Nicholas Gaskill's brilliant, beautiful, and mind-expanding book, we learn the myriad ways in which being modern in America meant no less than an encounter with color itself. And that meant thinking anew about mind and body, language and world, the challenges of the avant-garde and the pleasures of popular culture. Chromographia is that rare and iridescent thing: a philosophically searching contribution to literary-cultural history. -Jennifer Fleissner, Indiana University, Bloomington Between the 1880s and the 1930s the world changed color. Nicholas Gaskill's multilayered study of the period shows how a number of factors-an emerging relational understanding of chromatic experience, the commercial production of synthetic dyes, and theories of vision derived from evolutionary biology-together gave color a new visibility and brilliance and transformed it into a vitally important subject for literary and artistic modernism. If the cultural study of color-let's call it Chromotology-was a recognized discipline, then this would be one if its principal texts. -David Batchelor, author of Chromophobia Chromographia is a study of color perception just as brilliant as all the saturated hues that the new chromatic technologies and synthetic dyes of the nineteenth century brought out like never before. Nicholas Gaskill explores the meaning of this modern, multicolored world from the perspective of the writers, philosophers, psychologists, and educators who, in trying to cultivate a feeling for color, believe that language has the power to augment our sensory encounter with the world and to make life more vivid. This is a dazzling book that puts us in immediate relation with the vibrancy of these decades as we learn about the dynamic forms that color takes, its importance to aesthetic experience, and its intensifying, clarifying role in modern thought. -Elisa Tamarkin, University of California, Berkeley Author InformationNicholas Gaskill is associate professor of American literature at the University of Oxford and tutorial fellow at Oriel College. He is coeditor of The Lure of Whitehead (Minnesota, 2014). Tab Content 6Author Website:Countries AvailableAll regions |