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"Gerstner and Nahmias's unusual partnership (Gerstner is a film scholar whereas Nahmias is a psychiatrist with a scientific expertise in cinema) produces one of the best and most profound books on French cinema I have read in recent years. Their critical presentation of Honor�'s Paris trilogy opens many avenues and one can only hope that the two authors will continue to explore the filmmaker's cinematic landscape and provide us with more insight. --Florian Grandena ""H-France Review"" In this elegant and erudite book, Gerstner and Nahmias masterfully unfold Christophe Honor�'s provocative statement (provocative, at least, in a French context): 'I am a homosexual narrator.' Delightfully lingering in all the transgressive beds Honor� has made in his films, Gerstner and Nahmias not only show how Honor� playfully reinvents the French New Wave; they reveal the crisis of family norms--and, therefore, one's self-identity--in French society. --St�phane Bouquet ""writer, screenwriter, and longtime editor at Cahiers du cin�ma"" There is a distinct pleasure in reading Gerstner and Nahmias's analysis of the films of the trilogy. Ample illustration and ekphrastic detail give one the happy impression of rewatching the films with critical distance and leisure, gaining appreciation from the authors' insights throughout their close readings. --Margaret C. Flinn ""CINEJ: Cinema Journal"""

In this elegant and erudite book, Gerstner and Nahmias masterfully unfold Christophe Honor?'s provocative statement (provocative, at least, in a French context): 'I am a homosexual narrator.' Delightfully lingering in all the transgressive beds Honor? has made in his films, Gerstner and Nahmias not only show how Honor? playfully reinvents the French New Wave; they reveal the crisis of family norms-and, therefore, one's self-identity-in French society.--Stephane Bouquet writer, screenwriter, and longtime editor at Cahiers du cinema An exciting new study that will prove invaluable to scholars of Honor?'s work, contemporary French cinema, and LGBTQI issues in the cinema. Gerstner and Nahmias do an expert job of unpacking the complexities of Honor?'s brilliant but also at times impenetrable films. Their work illuminates the director's significance, and the authors examine his films with sensitivity, intelligence, and grace.--David Greven professor of English language and literature at University of South Carolina and author of Psycho-Sexual: Male Desire in Hitchcock, Scorsese, De Palma, and Friedkin Christophe Honor? has become a pivotal figure in contemporary, post-New Wave French cinema. In this remarkable volume, so attentive to questions of cinematic form, David A. Gerstner and Julien Nahmias situate Honor?'s filmmaking practice within a vital history of both queer aesthetics and French film theory.--Joe McElhaney professor, Department of Film and Media Studies, Hunter College/City University of New York and editor of Vincente Minnelli: The Art of Entertainment (Wayne State University Press, 2008) An exceedingly welcome exemplar of queer analysis focused on a queer filmmaker. Wisely insisting upon queerness as a form of productive disturbance, the authors' reading of Honor?'s too-little-seen trilogy does something rare in cinema studies: it brings a group of films into definitive focus while inspiring readers' own complex, enthusiastic reactions. This book will no doubt be read, returned to, and learned from by French, queer, and authorship scholars for many years to come.--Daniel Humphrey associate professor of film studies and women's and gender studies, Texas A&M University, and author of Queer Bergman: Sexuality, Gender, and the European Art Cinema There is a distinct pleasure in reading Gerstner and Nahmias's analysis of the films of the trilogy. Ample illustration and ekphrastic detail give one the happy impression of rewatching the films with critical distance and leisure, gaining appreciation from the authors' insights throughout their close readings.-- (10/14/2016) Gerstner and Nahmias's unusual partnership (Gerstner is a film scholar whereas Nahmias is a psychiatrist with a scientific expertise in cinema) produces one of the best and most profound books on French cinema I have read in recent years. Their critical presentation of Honor?'s Paris trilogy opens many avenues and one can only hope that the two authors will continue to explore the filmmaker's cinematic landscape and provide us with more insight.-- (04/30/2018) Christophe Honor? is a tour de force of deep explication. Its central chapter, Love Songs, ranks up there with the very best English-language stand-alone work on a specific French film. It's a pleasure to read such superb work.--Edward Baron Turk Professor Emeritus of French and Film Studies and John E. Burchard Professor Emeritus of the Humanities at the Massachusetts Institute of Technology, Chevalier, Order of Arts and Letters, France and Officier, Order of Academic Palms, France

Author Information

David A. Gerstner is professor of cinema studies at the City University of New York, College of Staten Island and Graduate Center. His books include Queer Pollen: White Seduction, Black Male Homosexuality, and the Cinematic and Authorship and Film (coedited with Janet Staiger). Julien Nahmias is a psychiatrist and works at the Institut Paul Sivadon–Association L’Élan Retrouvé, Paris, France. He has written a medical thesis about the cinematic representation of the psychiatrist and has given lectures on the topic of psychiatry and cinema (University of Paris V).

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