Full Product Details
Author: Jelena Erdeljan
Publisher: Brill
Imprint: Brill
Volume: 45
Weight: 0.570kg
ISBN: 9789004314719
ISBN 10: 9004314717
Pages: 264
Publication Date: 21 June 2017
Audience:
Professional and scholarly
,
Professional & Vocational
Format: Hardback
Publisher's Status: Active
Availability: Available To Order
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Language: English
Reviews
''Lo studio della Erdeljan rappresenta pertanto sia un'utile discussione su una cospicua parte di bibliografia inerente al mito di Gerusalemme in Europa; sia una valida ricerca autonoma sulla reviviscenza di questo mito nella Slavia orthodoxa . Tommaso Migliorini in Medioevo Greco , 19 (2019). The book serves as an introduction to the topic and its ramifications for a broader audience, but it speaks more directly to the specialists versed in the textual and especially the visual sources analysed. [...] This study is an important scholarly contribution that opens up the possibility of future explorations: on the one hand, of the particulars of how the spatial, material, ideological, and textual constructs of these capital cities of the Eastern Christian world relate to artistic representations of their respective topographies and their symbolic meanings and functions; on the other hand, of the later transformations of these centers, and others, after the fall of Constantinople in 1453''. Alice Isabella Sullivan, in Speculum 95 (2), April 2020.
''Lo studio della Erdeljan rappresenta pertanto sia un'utile discussione su una cospicua parte di bibliografia inerente al mito di Gerusalemme in Europa; sia una valida ricerca autonoma sulla reviviscenza di questo mito nella Slavia orthodoxa . Tommaso Migliorini in Medioevo Greco , 19 (2019).
''Lo studio della Erdeljan rappresenta pertanto sia un'utile discussione su una cospicua parte di bibliografia inerente al mito di Gerusalemme in Europa; sia una valida ricerca autonoma sulla reviviscenza di questo mito nella Slavia orthodoxa . Tommaso Migliorini in Medioevo Greco , 19 (2019). This study is an important scholarly contribution that opens up the possibility of future explorations: on the one hand, of the particulars of how the spatial, material, ideological, and textual constructs of these capital cities of the Eastern Christian world relate to artistic representations of their respective topographies and their symbolic meanings and functions; on the other hand, of the later transformations of these centers, and others, after the fall of Constantinople in 1453''. Alice Isabella Sullivan, in Speculum 95 (2), April 2020.
Author Information
Jelena Erdeljan, Ph.D. (2008), University of Belgrade, is Professor of Art History at that University. She has published monographs, articles and edited volumes on aspects of visual culture of medieval and early modern Balkans.
