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OverviewChintz explores one of the world's most important collections of Indian printed and painted cotton textiles, with expert essays, and illustrations of more than 250 pieces. Chintz explores the historic importance of Indian printed and painted cotton textiles, drawing on the Karun Thakar Collection. Assembled over thirty years, the collection comprises over two hundred examples, many of which have featured in significant museum exhibitions. With contributions from leading scholars and curators, including from the Victoria and Albert Museum and the Metropolitan Museum of Art, this book examines the historical significance of Indian printed cottons and their influence on global trade from the 14th century onward, and includes examples found in Sri Lanka, Japan and throughout Europe. The book provides insights into the artistry of Indian designers and the enduring legacy of this textile tradition, making it a valuable resource for those with an interest in art history, textile design and global cultural exchange. AUTHOR: A prolific collector and researcher of textiles, Karun Thakar has refined his discerning approach over forty years, building one of the most important private collections in the world. He believes that every textile in his collection has a story to tell about the people who made it and the way that they lived. He lends and donates pieces to international museums to deepen the understanding of what they mean and the cultures to which they belong. Through cloth and his wider collection, he hopes to contribute to a wider understanding of postcolonial narratives. A key aspect of his collecting, exhibiting and publishing is to present objects, such as domestic embroidery, that are not represented in museum collections, and to engage a new audience and demographic through these objects and their many untold narratives. He believes that exploring people's histories through the medium of cloth offers an ideal way to address difficult and complex topics both contemporary and historical. He has published seven books about his collection, and in 2021 launched the Karun Thakar Fund at the V&A. The fund offers scholarships and grants of up to £10,000 to students, early career researchers and emerging practitioners working anywhere in the world on any aspect of Asian or African textiles and dress. SELLING POINTS: . Pieces from the collection have been included in three major museum shows since 2020 . Details the best private collection of Indian chintz in Europe, arguably the world . The collection ranges in date from the 14th century through to the 20th century, and includes examples that only exist in museum collections . The contributing authors include all the leading museum curators and researchers in this field 300 colour illustrations Full Product DetailsAuthor: Karun Thakar , Karun ThakarPublisher: ACC Art Books Imprint: ACC Art Books Dimensions: Width: 30.00cm , Height: 3.90cm , Length: 34.00cm Weight: 2.940kg ISBN: 9781788843454ISBN 10: 1788843452 Pages: 400 Publication Date: 28 November 2025 Audience: General/trade , General Format: Hardback Publisher's Status: Active Availability: Not yet available This item is yet to be released. You can pre-order this item and we will dispatch it to you upon its release. Table of ContentsForeword Karun Thakar 6 Introduction Karun Thakar 12 What is chintz? Karun Thakar 16 CHAPTER 1 EUROPE The complexity of kalamkari Avalon Fotheringham 54 Appliqué chintz panels Rosemary Crill 72 At home with Indian chintz Ariane Fennetaux 106 Fragments of Indian chintz in Dutch local costume Ebeltje Hartkamp-Jonxis 142 A folio of fragments 168 CHAPTER 2 INDONESIA Early chintz in the Karun Thakar collection Ruth Barnes 182 A floral sarong in detail Sylvia Houghteling 196 Lampung chintz Fiona Kerlogue 218 CHAPTER 3 SRI LANKA Sri Lankan market chintzes Steven Cohen 244 The flower picker John Guy 254 The saint across the sea and other stories Anna Lise Seastrand 272 Our Lady of Good Voyage John Guy 308 CHAPTER 4 SOUTHEAST ASIA The sincerest form of appreciation Etsuko Iwanaga 354 Jackets for the Thai King’s guards John Guy 362 Catalogue 378 Reading list 412 Contributors' biographies 413ReviewsAuthor InformationA prolific collector and researcher of textiles, Karun Thakar has refined his discerning approach over forty years, building one of the most important private collections in the world. He believes that every textile in his collection has a story to tell about the people who made it and the way that they lived. He lends and donates pieces to international museums to deepen the understanding of what they mean and the cultures to which they belong. Through cloth and his wider collection, he hopes to contribute to a wider understanding of postcolonial narratives. A key aspect of his collecting, exhibiting and publishing is to present objects, such as domestic embroidery, that are not represented in museum collections, and to engage a new audience and demographic through these objects and their many untold narratives. He believes that exploring people's histories through the medium of cloth offers an ideal way to address difficult and complex topics both contemporary and historical. He has published seven books about his collection, and in 2021 launched the Karun Thakar Fund at the V&A. The fund offers scholarships and grants of up to GBP10,000 to students, early career researchers and emerging practitioners working anywhere in the world on any aspect of Asian or African textiles and dress. Contributors include: Avalon Fotheringham, editor, Curator of South Asian Textiles and Dress, Victoria & Albert Museum, London. John Guy, Senior Curator of the Arts of South and Southeast Asia, The Metropolitan Museum of Art, New York. Sylvia Houghteling, Associate Professor of History of Art, Bryn Mawr College, Pennsylvania. Ebeltje Hartkamp-Jonxis, Curator Emeritus, Rijksmuseum, Amsterdam. Ariane Fennetaux, University Professor, Sorbonne Nouvelle University, Paris. Steven Cohen, Independent scholar. Rosemary Crill, former Senior Curator for South Asia, Victoria & Albert Museum, London. Ruth Barnes, Thomas Jaffe Curator of Indo-Pacific Art, Yale University Art Gallery, Connecticut. Etsuko Iwanaga, Director, Fukuoka Art Museum, Japan. Fiona Kerlogue, former Deputy Keeper of Anthropology, Horniman Museum, London. Anna Lise Seastrand, Associate Professor of Art History, University of Minnesota-Twin Cities. Tab Content 6Author Website:Countries AvailableAll regions |
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