Chinese Revolutionary Cinema: Propaganda, Aesthetics and Internationalism 1949–1966

Author:   Jessica Ka Yee Chan (University of Richmond, USA)
Publisher:   Bloomsbury Publishing PLC
Volume:   48
ISBN:  

9781788311908


Pages:   288
Publication Date:   24 January 2019
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

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Chinese Revolutionary Cinema: Propaganda, Aesthetics and Internationalism 1949–1966


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Author:   Jessica Ka Yee Chan (University of Richmond, USA)
Publisher:   Bloomsbury Publishing PLC
Imprint:   I.B. Tauris
Volume:   48
Dimensions:   Width: 14.40cm , Height: 2.20cm , Length: 21.80cm
Weight:   0.480kg
ISBN:  

9781788311908


ISBN 10:   1788311906
Pages:   288
Publication Date:   24 January 2019
Audience:   College/higher education ,  College/higher education ,  Professional and scholarly ,  Tertiary & Higher Education ,  Tertiary & Higher Education
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Introduction 1 1 Propaganda and Film Aesthetics 23 2 Literature on Screen: Recasting Classical Hollywood Narration in Family Melodrama 54 3 Translating Soviet Montage 87 4 Socialist Glamour: The Socialist Star Craze, Stanislavski's System and Cinematic Iconography of the Gaze 119 5 Visions of Internationalism in Chinese Film Journals 147 Conclusion 173 Notes 180 Glossary 215 Filmography 222 Bibliography 225 Index 237

Reviews

Overall, Chan's unique history provides something more than an overview of an understudied period; by examining propaganda as a complex mode that necessitated the comingling of writers, artists, performers, bureaucrats and capital ... she is able to contribute to a broader understanding of film production under socialism ... [The book] will be of interest to scholars of East Asian Cinema, Chinese Studies, as well as those with an interest in the history of socialist culture. * Alphaville: Journal of Film and Screen Media * A long-awaited book that sheds new light on revolutionary Chinese cinema. Eloquently written, it opens our eyes not only to these films' politics, but also to their forms and artistry. -- Victor Fan, Senior Lecturer in Film Studies, King's College London, UK Chinese Revolutionary Cinema is based on meticulous research and insightful analysis. Avoiding Cold War rhetoric, Chan brilliantly shows how Maoist cinema interacted with Hollywood and Soviet paradigms, as it adapted melodramatic structures, montage theory, and star promotion to the revolutionary cause. -- Yomi Braester, Byron W. and Alice L. Lockwood Professor in the Humanities, University of Washington, USA


A long-awaited book that sheds new light on revolutionary Chinese cinema. Eloquently written, it opens our eyes not only to these films' politics, but also to their forms and artistry. -- Victor Fan, Senior Lecturer in Film Studies, King's College London, UK Chinese Revolutionary Cinema is based on meticulous research and insightful analysis. Avoiding Cold War rhetoric, Chan brilliantly shows how Maoist cinema interacted with Hollywood and Soviet paradigms, as it adapted melodramatic structures, montage theory, and star promotion to the revolutionary cause. -- Yomi Braester, Byron W. and Alice L. Lockwood Professor in the Humanities, University of Washington, USA


Author Information

Jessica Ka Yee Chan is Assistant Professor of Chinese Studies at the University of Richmond, USA. She has published in the East Asian Journal of Popular Culture, the Journal of Chinese Cinemas, Modern Chinese Literature and Culture, and The Opera Quarterly.

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