Overview

The paradoxical relationship between Chinese creative workers and the state Chinese Creator Economies dives into the paradoxical lives lived by creative professionals in emerging economies across China. Jian Lin contextualizes the socioeconomic conditions in which cultural production takes place and pushes back against the dominant understanding of Chinese media as a centralized, state-controlled apparatus by looking at how individual creative workers grapple with governance and precarity in the Chinese cultural industries and develop their bilateral subjectivities within the politico-economic system of Chinese media. Drawing on intensive empirical research conducted on creative labor practices across television, journalism, design, and social media, Chinese Creative Economies looks at both Chinese and foreign-born content creators, exploring the tensions between Beijing’s limits on individual creativity, and its aspirations to become a global hub for cultural production. Lin maintains that it is the production of bilateral creatives that generates and maintains hope for the future of those who live and work within the cultural economies of China.

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9781479811885

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Reviews

The most rigorous and accomplished analysis of the working conditions of Chinese cultural workers to date. This will be a key reference point in the burgeoning literature on cultural labour not only in China but internationally. * David Hesmondhalgh, University of Leeds * Essential reading. Jian Lin offers a critical and empirically evidenced approach to rethink creative work studies beyond the confines of Western experiences and theorizations. Lin harvests his insights adroitly, boldly, and compassionately. His penchant for the schizophrenic, the multifaceted, the dilemma, the bilateral, is a rejection of any homogenizing account of the state and the market, of cultural work and creative class. In its place, I read more futures. * Chow Yiu Fai, Hong Kong Baptist University * You will not read a better account that dewesternizes creative-labor studies than this book. Jian Lin goes deeper than usual into creators’ lived experience and also wider—across state enterprises and international workers as well indies and the digital class. Jian’s heart is open and his mind is ablaze. * Stuart Cunningham, Queensland University of Technology * The most updated and insightful assessment of the working condition of Chinese creative workers. Bilateral creatives work under the planned logic of state’s creative industries, and at the same time, work creatively and subtly against the system of governance and cultural policy. The most interesting and intellectually intriguing aspects of the book owes much to Lin’s five years of fieldwork. * Anthony Fung, The Chinese University of Hong Kong *

""The most rigorous and accomplished analysis of the working conditions of Chinese cultural workers to date. This will be a key reference point in the burgeoning literature on cultural labour not only in China but internationally. "" * David Hesmondhalgh, University of Leeds * ""Essential reading. Jian Lin offers a critical and empirically evidenced approach to rethink creative work studies beyond the confines of Western experiences and theorizations. Lin harvests his insights adroitly, boldly, and compassionately. His penchant for the schizophrenic, the multifaceted, the dilemma, the bilateral, is a rejection of any homogenizing account of the state and the market, of cultural work and creative class. In its place, I read more futures. "" * Chow Yiu Fai, Hong Kong Baptist University * ""You will not read a better account that dewesternizes creative-labor studies than this book. Jian Lin goes deeper than usual into creators’ lived experience and also wider—across state enterprises and international workers as well indies and the digital class. Jian’s heart is open and his mind is ablaze. "" * Stuart Cunningham, Queensland University of Technology * ""The most updated and insightful assessment of the working condition of Chinese creative workers. Bilateral creatives work under the planned logic of state’s creative industries, and at the same time, work creatively and subtly against the system of governance and cultural policy. The most interesting and intellectually intriguing aspects of the book owes much to Lin’s five years of fieldwork. "" * Anthony Fung, The Chinese University of Hong Kong *

Author Information

Jian Lin is a Hundred-Talent Young Professor at Zhejiang University, having obtained a PhD in Media Studies from the University of Amsterdam that was jointly awarded by Western Sydney University. He is co-author of Wanghong as Social Media Entertainment in China.

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