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OverviewThis book explores the development of the Chinese animation film industry from the beginning of China’s reform process up to the present. It discusses above all the relationship between the communist state’s policies to stimulate ""creative industries"", concepts of creativity and aesthetics, and the creation and maintenance , through changing circumstances, of a national style by Chinese animators. The book also examines the relationship between Chinese animation, changing technologies including the rise first of television and then of digital media, and youth culture, demonstrating the importance of Chinese animation in Chinese youth culture in the digital age. Full Product DetailsAuthor: Weihua Wu (Communication University of China)Publisher: Taylor & Francis Ltd Imprint: Routledge Weight: 0.453kg ISBN: 9780415810357ISBN 10: 0415810353 Pages: 206 Publication Date: 15 August 2017 Audience: College/higher education , Tertiary & Higher Education Format: Hardback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of Contents1. Introduction 2. Catachresisand Metaphor in Theorizing Chinese Animation 3. The State, Animation Spectatorship, and Cultural Dislocation in the Reform Era 4.New Image, Old Discourse: the Post-Meishu Reorientation 5.The Everyday Practice of I-Generation in Cyberspace: Flash Empire and Chinese Shanke 6. Resistance as Hegemony: The Coming Age of Chinese Independent Animation 7. ConclusionReviewsAuthor InformationWeihua Wu is a Professor of Media Studies in the Faculty of Journalism and Communication at the Communication University of China. . Tab Content 6Author Website:Countries AvailableAll regions |
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