Overview

This anthology provides an overview of the history and theory of Chicano/a art from the 1960s to the present, emphasizing the debates and vocabularies that have played key roles in its conceptualization. In Chicano and Chicana Art-which includes many of Chicano/a art's landmark and foundational texts and manifestos-artists, curators, and cultural critics trace the development of Chicano/a art from its early role in the Chicano civil rights movement to its mainstream acceptance in American art institutions. Throughout this teaching-oriented volume they address a number of themes, including the politics of border life, public art practices such as posters and murals, and feminist and queer artists' figurations of Chicano/a bodies. They also chart the multiple cultural and artistic influences-from American graffiti and Mexican pre-Columbian spirituality to pop art and modernism-that have informed Chicano/a art's practice. Contributors. Carlos Almaraz, David Avalos, Judith F. Baca, Raye Bemis, Jo-Anne Berelowitz, Elizabeth Blair, Chaz Bojoroquez, Philip Brookman, Mel Casas, C. Ondine Chavoya, Karen Mary Davalos, Rupert Garcia, Alicia Gaspar de Alba, Shifra Goldman, Jennifer A. Gonzalez, Rita Gonzalez, Robb Hernandez, Juan Felipe Herrera, Louis Hock, Nancy L. Kelker, Philip Kennicott, Josh Kun, Asta Kuusinen, Gilberto ""Magu"" Lujan, Amelia Malagamba-Ansotegui, Amalia Mesa-Bains, Dylan Miner, Malaquias Montoya, Judithe Hernandez de Neikrug, Chon Noriega, Joseph Palis, Laura Elisa Perez, Peter Plagens, Catherine Ramirez, Matthew Reilly, James Rojas, Terezita Romo, Ralph Rugoff, Lezlie Salkowitz-Montoya, Marcos Sanchez-Tranquilino, Cylena Simonds, Elizabeth Sisco, John Tagg, Roberto Tejada, Ruben Trejo, Gabriela Valdivia, Tomas Ybarra-Frausto, Victor Zamudio-Taylor

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9781478003007

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Reviews

A substantial volume, covering the literature of the movimiento during a period of approximately forty years. The scope offered is far beyond a survey, compiled by four recognized authorities. . . . An impressive resource -- Clayton C. Kirking * ARLIS/NA *

"""A substantial volume, covering the literature of the movimiento during a period of approximately forty years. The scope offered is far beyond a survey, compiled by four recognized authorities. . . . An impressive resource"" -- Clayton C. Kirking * ARLIS/NA Reviews * ""This pioneering anthology fills a significant gap in the complex history of Chicana/o art and visual culture. . . . this volume is a required resource for teaching and learning about Chicana/o art, especially as issues of identity, immigration, and inclusion continue to ignite intense debate and controversy in the US. Highly recommended. Lower-division undergraduates through faculty and professionals."" -- L. Estevez * Choice *"

""A substantial volume, covering the literature of the movimiento during a period of approximately forty years. The scope offered is far beyond a survey, compiled by four recognized authorities. . . . An impressive resource"" -- Clayton C. Kirking * ARLIS/NA Reviews * ""This pioneering anthology fills a significant gap in the complex history of Chicana/o art and visual culture. . . . this volume is a required resource for teaching and learning about Chicana/o art, especially as issues of identity, immigration, and inclusion continue to ignite intense debate and controversy in the US. Highly recommended. Lower-division undergraduates through faculty and professionals."" -- L. Estevez * Choice *

Author Information

Jennifer A. GonzÁlez is Professor of History of Art and Visual Culture at the University of California, Santa Cruz. C. Ondine Chavoya is Professor of Art at Williams College. Chon Noriega is Professor of Film, Television, and Digital Media at the University of California, Los Angeles. Terezita Romo is Program Officer at The San Francisco Foundation.

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