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OverviewFull Product DetailsAuthor: Michael J. MasciPublisher: Lexington Books Imprint: Lexington Books Dimensions: Width: 15.60cm , Height: 2.10cm , Length: 23.70cm Weight: 0.540kg ISBN: 9781793630452ISBN 10: 1793630453 Pages: 268 Publication Date: 15 March 2023 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Available To Order ![]() We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately. Table of ContentsContents Note on Figured-Bass Symbols Acknowledgments Introduction: Harmony as Discipline I. Institutional Power and Disciplinary Pretexts Chapter 1. The Institutional Authorization of Catel’s Harmonic Theory and the Reconciliation of Fundamental Bass Theory with Figured Bass Practice Chapter 2. The Institutional Sources of Catel’s (Contested) Authority II. The Cours d’Harmonie as Coordination of Disciplinary Technologies Chapter 3. Disciplinary Networks: Sources and Structures of the Cours d’Harmonie Chapter 4. Reconstructing the Theory, Pedagogy, and Method of the Early Cours d’Harmonie Chapter 5. Harmony’s Boundaries and the Internalization of Disciplinary Norms III. The Transmission and Midcentury Revision of Disciplinary (and Generic) Structures Chapter 6. Tonalité, Modulation, and Alteration: Catel Reception at Midcentury Chapter 7. Tonal Redaction as Generic Convention in the Traité Complet Théorique et Pratique Conclusion Appendix A. Common Marches Appendix B. Common Broderies Appendix C. Common Cadences Bibliography About the AuthorReviews""The French Revolution brought us many of the ideas and institutions of the modern world. It gave us both the metric system and the Paris Conservatory. That state-sponsored music school needed to reconcile an inherited, Italian-influenced tradition of practical music making with a French tradition of speculation about harmony. The year 1801 saw not only a truce between Napoleon and the Catholic Church (the Concordat) but also the official approval of the Traité d'harmonie of Charles-Simon Catel. From that point on, 'harmony' became part of the discipline of formalized music training. It is a fascinating story of music, power, and institutions, well told by author Michael J. Masci."" ""By focusing on Catel's treatise as the foundation of a new 'discipline' of harmony, promoted by the Paris Conservatoire, Masci makes a significant contribution to our understanding of the origins of modern theories of tonal syntax. The book offers a fascinating addition to the growing body of work that asks how historical lessons and practices, such as partimento, might enhance the learning of music theory today."" ""Masci investigates Catel's Traité, the official unified harmony textbook at the Paris Conservatoire, from an original perspective, exploring whether the work stands as a compilation of contemporary theory or as an entirely original work. Masci highlights the theoretical content in a comprehensive historical and critical investigation which sheds new light on Catel's place in an institutional process of knowledge production."" ""Masci tells the captivating story of Catel's harmony treatise and how it shaped the discipline of music theory at the Paris Conservatoire, the most admired institution in the nineteenth century. It's a thrilling story of power, personal and institutional relations, and what it means to be a musician."" The French Revolution brought us many of the ideas and institutions of the modern world. It gave us both the metric system and the Paris Conservatory. That state-sponsored music school needed to reconcile an inherited, Italian-influenced tradition of practical music making with a French tradition of speculation about harmony. The year 1801 saw not only a truce between Napoleon and the Catholic Church (the Concordat) but also the official approval of the Traite d'harmonie of Charles-Simon Catel . From that point on, 'harmony' became part of the discipline of formalized music training. It is a fascinating story of music, power, and institutions, well told by author Michael Masci.--Robert O. Gjerdingen, Northwestern University Michael Masci tells the captivating story of Catel's harmony treatise and how it shaped the discipline of music theory at the Paris Conservatoire, the most admired institution in the nineteenth century. It's a thrilling story of power, personal and institutional relations, and what it means to be a musician.--Alexander Rehding, Harvard University Author InformationMichael J. Masci is associate professor of Music Theory at SUNY Geneseo, where he teaches courses in harmony, music analysis, and the aesthetics of modernism. Tab Content 6Author Website:Countries AvailableAll regions |