Full Product Details
Author: Oskar Cox Jensen (Leverhulme Fellow, Department of History, Queen Mary University of London) ,
David Kennerley (Postdoctoral Research Associate, Music Department, King's College London) ,
Ian Newman (Assistant Professor, University of Notre Dame, Department of English)
Publisher: Oxford University Press
Imprint: Oxford University Press
Dimensions:
Width: 16.40cm
, Height: 2.30cm
, Length: 24.20cm
Weight: 0.674kg
ISBN: 9780198812425
ISBN 10: 0198812426
Pages: 276
Publication Date: 25 January 2018
Audience:
College/higher education
,
Professional and scholarly
,
Tertiary & Higher Education
,
Professional & Vocational
Format: Hardback
Publisher's Status: Active
Availability: Manufactured on demand
We will order this item for you from a manufactured on demand supplier.
Reviews
The essays themselves are to a one illuminating and exact, sumptuously supported with visual material, and deeply committed to conversation among themselves ... [a] gregarious volume * Jayne Lewis, Studies in English Literature * This book is an essential contribution to our understanding of an important period in the development of popular culture. * Steve Roud *
This book is an essential contribution to our understanding of an important period in the development of popular culture. * Steve Roud *
Author Information
Oskar Cox Jensen is a Leverhulme Fellow at Queen Mary University of London. From 2013 to 2017 he was a Research Fellow on the ERC-funded project 'Music in London, 1800-1851' at King's College London. His publications include Napoleon and British Song, 1797-1822 (2015), and The London Ballad-Singer, 1792-1864. With David Kennerley, he is preparing a collection on music and politics, c.1780-1850. He has authored various articles and book chapters, as well as several works of fiction. David Kennerley is a Postdoctoral Research Associate on the 'Music in London, 1800-1851' project at King's College London. His research explores the history of sound, music, and performance in Britain in the long nineteenth century, with a particular focus on sonic aspects of gender, and of political culture. His work has been published in the Historical Journal, and has featured in a Bodleian Library exhibition and accompanying book on Staging History, 1780-1840. He is currently completing a monograph on female singers in early nineteenth-century Britain, and, with Oskar Cox Jensen, editing a collection of essays on music and politics, c.1780-1850. Ian Newman is an Assistant Professor of English at the University of Notre Dame, and a fellow of the Keough-Naughton Institute for Irish studies. He specializes in eighteenth- and nineteenth-century British and Irish literature. His work has appeared in Studies in English Literature, European Romantic Review, Eighteenth-Century Studies, and Studies in Romanticism. He is currently completing a book The Tavern: Literature and Conviviality in the Age of Revolution. He is engaged in a digital project tracing the meeting places of the London Corresponding Society and is a founding editor of the Keats Letters Project.
