Changing Creative Writing in America: Strengths, Weaknesses, Possibilities

Author:   Graeme Harper
Publisher:   Channel View Publications Ltd
ISBN:  

9781783098811


Pages:   198
Publication Date:   11 October 2017
Format:   Hardback
Availability:   In Print   Availability explained
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Changing Creative Writing in America: Strengths, Weaknesses, Possibilities


Overview

In this compelling collection of essays contributors critically examine Creative Writing in American Higher Education. Considering Creative Writing teaching, learning and knowledge, the book recognizes historical strengths and weaknesses. The authors cover topics ranging from the relationship between Creative Writing and Composition and Literary Studies to what it means to write and be a creative writer; from new technologies and neuroscience to the nature of written language; from job prospects and graduate study to the values of creativity; from moments of teaching to persuasive ideas and theories; from interdisciplinary studies to the qualifications needed to teach Creative Writing in contemporary Higher Education. Most of all it explores the possibilities for the future of Creative Writing as an academic subject in America.

Full Product Details

Author:   Graeme Harper
Publisher:   Channel View Publications Ltd
Imprint:   Multilingual Matters
Dimensions:   Width: 14.80cm , Height: 1.50cm , Length: 21.00cm
Weight:   0.390kg
ISBN:  

9781783098811


ISBN 10:   1783098813
Pages:   198
Publication Date:   11 October 2017
Audience:   College/higher education ,  Professional and scholarly ,  Postgraduate, Research & Scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Joe Moxley: Foreword 1. Graeme Harper: Introduction: The Possibilities for Creative Writing in America 2. Alexandria Peary: Histories and Historiography in Creative Writing Studies 3. Katharine Haake: Writing as Spiritual Practice 4. Tim Mayers: We Serve Writing Here 5. Stephanie Vanderslice: Theory and Pedagogy in Introductory Writing Textbooks: Creative Writing Leads the Way 6. Angela Ferraiolo: The Print Doctrine 7. Bruce Horner: Rewriting Creative Writing 8. Dianne Donnelly: The Convergence of Creative Processes and Its Neurological Mapping 9. Joseph Rein: Toward an Interdisciplinary Creative Writing 10. Kate Kostelnik: Creative Writing in First-Year Writing: Let's Remind, or Re-teach, the Value of Fiction 11. Christine Bailey and Patrick Bizzaro: Against Appropriation: Creative Writing and the Making of Knowledge Author Biographies Index

Reviews

Notable for their variety of subjects and differences in approach but all gorgeously written, the chapters in this book ask us to consider how we educate our students, how we think about our artistic practice, how we consider and write our history, and what our place in the academy is and should be. Both practically and theoretically useful, this book will convince you that the questions it poses, and begins to try to answer, are important ones. * Katharine Coles, University of Utah, USA * This book arrives at a fortunate moment for anyone interested in Creative Writing Studies. As issues of disciplinary identity and institutional positioning are being brought in sharp focus by changes in universities and the culture at large, this book raises important questions about potential futures for Creative Writing. The authors, coming from a variety of disciplinary backgrounds, survey, but also push against, the boundaries of theory, policy, and writing practice to explore the landscape of Creative Writing in the contemporary university in ways that are rigorously intellectual and bountifully creative. * Bronwyn T. Williams, University of Louisville, USA *


Author Information

Author Website:   http://www.greatwriting.org.uk

Graeme Harper is a Professor of Creative Writing and Dean of The Honors College at Oakland University in Michigan, USA. An award-winning fiction writer, and former Commonwealth scholar in Creative Writing, he has published widely on Creative Writing and its development as an academic discipline. He is Editor of the journal New Writing: The International Journal for the Practice and Theory of Creative Writing and is Editor-In-Chief of the book series New Writing Viewpoints. His latest work of fiction is The Japanese Cook (Parlor, 2017). In 2015 he edited Creative Writing and Education (Multilingual Matters).

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Author Website:   http://www.greatwriting.org.uk

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