Challenging the Modern: Conservative Revolution in German Music, 1918-1933
Author:   Nicholas Attfield (Lecturer in Music, Brunel University)
Publisher:   Oxford University Press
ISBN:  

9780197266137


Pages:   370
Publication Date:   07 September 2017
Format:   Hardback
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

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Challenging the Modern: Conservative Revolution in German Music, 1918-1933


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Author:   Nicholas Attfield (Lecturer in Music, Brunel University)
Publisher:   Oxford University Press
Imprint:   Oxford University Press
Dimensions:   Width: 16.80cm , Height: 2.00cm , Length: 24.00cm
Weight:   0.536kg
ISBN:  

9780197266137


ISBN 10:   0197266134
Pages:   370
Publication Date:   07 September 2017
Audience:   College/higher education ,  Professional and scholarly ,  Tertiary & Higher Education ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

Table of Contents

Introduction: Weimar Culture and its Others 1: Music and the Idea of 'Conservative Revolution' 2: 'Sympathie mit dem Tode': Thomas Mann, Hans Pfitzner, and the Further Reflections of a Non-Political Man 3: 'Innerer Betrachtung gewidmet': Alfred Heuss, the Zeitschrift für Musik, and the Music Journal as Community 4: 'Der alte treue Meister Antonius': Mysticism, Nation, and the Weimar Bruckner Cult 5: 'Eine neue, edle deutsche Jugendkultur': August Halm, Gustav Wyneken, and the Question of Leadership Epilogue: Working Towards the Third Reich Appendix: Transcription and Translation of Paul Hindemith's letter to Alfred Heuss, February 1923

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Author Information

Nicholas Attfield holds a BMus from King's College, London and an MSt and DPhil from St. Catherine's College, University of Oxford, the latter with a graduate year as Procter Visiting Fellow at Princeton University. In 2007 he was DAAD Michael Foster Fellow at Humboldt-Universität, Berlin, before taking up a British Academy Postdoctoral Fellowship at Oxford, with three months as Visiting Scholar at the Center for European Studies, Harvard University. Former posts include Lectureships in Music at Worcester College and Christ Church, Oxford, and a Teaching Fellowship in Music at Edinburgh University.

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