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OverviewOnly a few Westerns contain explicitly Jewish stories or themes, and very rarely do Old West tales involve identifiably Jewish characters. Yet Jewish contributors have shaped the Western—once Hollywood’s most popular genre—ever since the silent era, both onscreen and offscreen, and some filmmakers have explicitly sought to infuse the genre with a distinctly Jewish sensibility. In Chai Noon, Jonathan L. Friedmann applies some of the central questions of Jewish film studies to the Western: What makes a movie “Jewish”? What counts as a “Jewish image” on screen? What types of Jewish representation are appropriate? How much of a film’s “Jewishness” owes to the filmmakers and how much to the viewer’s interpretation? This volume joins other reconsiderations of outsider and minority representations in Westerns to offer a more nuanced view of the genre. Friedmann engages with larger themes of Jewish identity in popular film, including depictions of race, ethnicity, and foreignness. He also identifies similar concerns within the invention and creation of the imaginary West writ large in American culture. The juxtapositions prove to be both unexpected and intuitively understandable. Full Product DetailsAuthor: Jonathan L. FriedmannPublisher: University of Wisconsin Press Imprint: University of Wisconsin Press Weight: 0.454kg ISBN: 9780299352103ISBN 10: 0299352102 Pages: 264 Publication Date: 03 June 2025 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Not yet available ![]() This item is yet to be released. You can pre-order this item and we will dispatch it to you upon its release. Table of ContentsList of Illustrations Introduction 1 How the West Was Made 2 Pre-Code Westerns 3 Code-Era Westerns 4 Television Westerns 5 Post-Code Westerns 6 Comedic Sensibility 7 Revisionist Sensibility Conclusion Notes Bibliography IndexReviews“Prodigiously researched and written with verve, Chai Noon casts a long-overdue Jewish lens on the Western. Contrary to the conventional notion that Jews and Westerns are like oil and water, the book shows how Jewish characters, themes, and filmmakers played a prominent role in the origins and development of this most American of genres.” - Vincent Brook, author of Driven to Darkness: Jewish Émigré Directors and the Rise of Film Noir Author InformationJonathan L. Friedmann is a scholar of Jewish music history and the president of the Western States Jewish History Association. He serves as vice president, academic dean, and director of programs at Ezzree Institute; admissions director and associate professor at the International Institute for Secular Humanistic Judaism; director of the Jewish Museum of the American West; and cohost of Amusing Jews, an interview show celebrating Jewish contributors and contributions to American popular culture. He is the author or editor of numerous books and articles, most recently Jewish Historical Societies: Navigating the Professional-Amateur Divide, coedited with Joel Gereboff. Tab Content 6Author Website:Countries AvailableAll regions |