Chaekgeori: The Power and Pleasure of Possessions in Korean Painted Screens

Author:   Byungmo Chung ,  Sunglim Kim
Publisher:   State University of New York Press
ISBN:  

9781438468112


Pages:   250
Publication Date:   12 May 2017
Format:   Hardback
Availability:   In Print   Availability explained
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Chaekgeori: The Power and Pleasure of Possessions in Korean Painted Screens


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Overview

The first major exhibition in the United States of chaekgeori painting, including on view for the first time many screens from private collections and various Korean institutions.

Full Product Details

Author:   Byungmo Chung ,  Sunglim Kim
Publisher:   State University of New York Press
Imprint:   State University of New York Press
Dimensions:   Width: 22.90cm , Height: 2.50cm , Length: 30.50cm
Weight:   1.225kg
ISBN:  

9781438468112


ISBN 10:   1438468113
Pages:   250
Publication Date:   12 May 2017
Audience:   General/trade ,  General
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Byungmo Chung is Professor in the Department of Cultural Assets at Gyeongju University, Korea. He was a visiting scholar in the Department of Asian Cultures and Languages at Rutgers University and President of the Korean Folk Painting Society. His scholarship focuses on the genre paintings and Minhwa-the folk painting of Korea. He has organized several Minhwa exhibitions in Korea and written numerous articles and books about Korean folk and genre paintings, including Chaesaekhwa, Polychrome Paintings of Korea. Sunglim Kim is Assistant Professor of Korean Art History in the Department of Art History and the Asian and Middle Eastern Studies Program, Dartmouth College. Her scholarship focuses on premodern and early twentieth-century Korean art and culture, including the rise of consumer culture and the role of professional nouveau riche in late Joseon Korea, Japanese colonial photographs of Korea, and Korean women artists. She has curated several exhibitions in the United States and written numerous publications on Korean art.

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