Cesare Pugni: Music from Five Ballets Ondine Esmeralda Pas de Quatre Catarina, Ou La Fille Du Bandit Theolinda, Ou Le Lutin de La Vallee

Author:   Introduced By Letellier
Publisher:   Cambridge Scholars Publishing
ISBN:  

9781299644915


Pages:   207
Publication Date:   01 January 2012
Format:   Electronic book text
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Cesare Pugni: Music from Five Ballets Ondine Esmeralda Pas de Quatre Catarina, Ou La Fille Du Bandit Theolinda, Ou Le Lutin de La Vallee


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Cesare Pugni (1802 70) made his debut as a composer at La Scala in 1826 with the opera Elerz e Zulmida. In the 1840s he worked closely with the choreographer Jules Perrot (1810 92) in Paris and in London, creating some of the most renowned ballets of the 19th century, a number of which still find their place in some modern repertories. Pugni later followed Perrot to St Petersburg, and became official composer of the Imperial Russian theatres. Some of his earlier ballets were transferred to St Petersburg, and he also composed many new works for that city. Along with Perrot, Pugni also worked with Arthur Saint-Leon (1821 70), Paolo Taglioni (1808 84), Marius Petipa (1818 1910), and some of the greatest dancers of the century. His most famous collaboration, with Marius Petipa, lasted until the composer s death on 26 January 1870. Pugni was extremely prolific, composing more than 300 ballets, a dozen operas, over 40 masses, other polyphonic works and a few symphonies. He was very popular with the public, who were delighted by his direct uncomplicated style, with its attractive melodies and infectious rhythms. Ondine, choreographed and danced by Perrot and Fanny Cerrito, was premiered at Her Majesty s Theatre in 1845. It is a variant on the famous water nymph story Undine by Friedrich de la Motte Fouque. The ballet became famous for the conception of the generic scene type of the Pas de l Ombre, where the nymph sees her own shadow in the moonlight for the first time and tries to catch it. The ballet was praised for its magnificent decor and for Pugni s score: . . . the musical accompaniment which describes the rise and fall of the waves is eminently characteristic and beautiful: the very ripple of the flow, and the rushing sound of the ebb over the pebbly strand, are heard and fully satisfy the ear . Esmeralda, choreographed by Perrot and premiered with Perrot, Carlotta Grisi and Saint-Leon in the principal roles, was first performed at Her Majesty s Theatre in London in 1844. The ballet is based on the story of Victor Hugo s Notre-Dame de Paris. It was reasonably successful, and Grisi was pronounced the perfect personification of the gypsy girl Esmeralda. The ballet later became immensely popular in Russia; Fanny Elssler enjoyed one of her biggest triumphs in the title role. Pugni s music successfully evokes an atmosphere of Medieval Paris, the changing moods of the story, and the delicate vulnerability of the heroine. For Petipa s production of 1888, Riccardo Drigo was asked to compose several new numbers, including the Esmeralda Pas de Deux and the Diana and Acteon Pas de Deux, which became very popular in their own right. The Pas de quatre was a divertissement choreographed by Perrot for four of the leading ballerinas of the time, and premiered at Her Majesty s Theatre in 1845. Created by Marie Taglioni, Carlotta Grisi, Fanny Cerrito and Lucile Grahn, this plotless ballet epitomizes the Romantic cult of the ballerina. Pugni s variations were exquisitely tailored to the character and particular skills of each of the illustrious protagonists. There were four performances of the Pas de quatre with the original dancers, and there have been many revivals, starting in 1847 (when the part created by Grahn was given to Carolina Rosati), and continuing through to later reconstructions in the 20th century. Catarina, ou La Fille du bandit was choreographed by Perrot, with the principal roles created by Lucile Grahn, Perrot and Louis Gosselin. It was first performed at Her Majesty s Theatre in 1846. The plot revolves around the love of the painter Salvator Rosa for Catarina, a bandit chief. The ballet grew in popularity due to the fascination and humanity of the unconventional characters from an original story based on the artist s life, and the incomparable elegance of its mass movements. Founded on the contrast between feminine grace and military precision, this work was one of the greatest triumphs of both Lucile Grahn and Fanny E

Full Product Details

Author:   Introduced By Letellier
Publisher:   Cambridge Scholars Publishing
Imprint:   Cambridge Scholars Publishing
ISBN:  

9781299644915


ISBN 10:   1299644910
Pages:   207
Publication Date:   01 January 2012
Audience:   General/trade ,  General
Format:   Electronic book text
Publisher's Status:   Active
Availability:   Available To Order   Availability explained
We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately.

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