Overview

Censorship affected the careers of many Irish writers and transformed the trajectory of modern Irish literature. Although some authors were reluctant to defend themselves and their art, others strenuously fought against the curtailment of freedom of expression by lobbying politicians, writing polemics, and organising themselves into professional bodies and activist groups. Supported by archival research and informed by philosophical concerns, Censorship and the Irish Writer details almost a century of this history from an innovative perspective. Discussing writers such as AE, Lady Gregory, James Joyce, John McGahern, Edna O'Brien, Sean O'Casey, Sean O'Faolain, Bernard Shaw, and W.B. Yeats and writers' organisations like the Irish Academy of Letters and Irish PEN, Brad Kent offers vital insight into the intersections of politics, art, and resistance. While this book recounts spectacular controversies, it places such events in a long line of agitations for greater freedom of expression and in the context of personal lives and professional networks that straddled geopolitical borders. In so doing, Kent argues that censorship is a phenomenon that is driven by tensions not only between the competing rights of individuals and the wider community, but between the national and the international, the local and the global. The result is an original and compelling account of Irish literary history.

Full Product Details

Author:   Brad Kent
Publisher:   University of Toronto Press
Imprint:   University of Toronto Press
Dimensions:   Width: 15.20cm , Height: 2.50cm , Length: 22.90cm
Weight:   0.001kg
ISBN:  

9781487567613

ISBN 10:   1487567618
Pages:   416
Publication Date:   17 March 2026
Audience:   College/higher education ,  Professional and scholarly ,  Tertiary & Higher Education ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Forthcoming
Availability:   Not yet available, will be POD  
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Table of Contents

Abbreviations Acknowledgements Introduction: The Contours of Censorship, Politics, Polemics, and the International Dialectic Chapter One: Setting the Template: George Moore and the Public Face of Resistance Chapter Two: Evolving Tactics: Bernard Shaw, Relentless Antagonism, and Organised Resistance Chapter Three: The Scene Shifts to Ireland: James Joyce, Brinsley MacNamara, and Lennox Robinson Chapter Four: A Made-in-Ireland Censorship: Polemics and Institutional Formation Chapter Five: A Made-in-Ireland Resistance: The Rise and Fall of the Irish Academy of Letters Chapter Six: International Networking: Establishing Irish PEN Chapter Seven: Insularity and Reform: Irish PEN in the War Years Chapter Eight: Equivocal Values: Irish PEN in the Age of Appeal Chapter Nine: Aligning with Other Intellectuals: The Irish Association for Civil Liberty and Conservative Ireland’s Last Great Censorship Moral Panic Chapter Ten: Towards the Liberalisation of Censorship: John McGahern, Edna O’Brien, and the Censorship Reform Society Coda Appendix: Table of Books by Irish Writers Banned in Ireland Notes Bibliography Index

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Author Information

Brad Kent is professor of British and Irish literatures at Université Laval.

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